| 45 Minutes from Broadway |
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| Type:
Early 1900s |
| Year
Performed: 1906 |
| Performer:
Billy Murray |
| Source:
Authentic History |
|
| 5 Foot 2, Eyes of Blue |
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| Type:
1920s |
| Year
Performed: 1922 |
| Performer:
California Ramblers |
| Source:
Big Band's Database Plus |
|
| 50 Megatons |
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| Type:
Atom Bomb |
| Year
Performed: 1956 |
| Performer:
Sonny Russell |
| Source:
Authentic History |
|
| 76 Trombones |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Music Man |
| Source:
Raven's Real Audio |
|
| Abraham Lincoln |
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| Type:
Mercury Theater |
| Year
Performed: 1938 |
| Performer:
Mercury Theater |
| Source:
Mercury Theater on the Air |
|
| After the Ball |
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| Type:
Hillbilly |
| Year
Performed: 1930 |
| Performer:
Fiddlin' John Carson |
| Source:
Honkingduck |
|
| After Your Gone |
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| Type:
Jazz |
| Year
Performed: 1929 |
| Performer:
Louis Armstrong |
| Source:
Red Hot Jazz |
|
| After You've Gone |
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| Type:
Jazz |
| Year
Performed: 1927 |
| Performer:
Bessie Smith |
| Source:
Red Hot Jazz |
|
| After You've Gone |
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| Type:
Jazz |
| Year
Performed: 1927 |
| Performer:
Sophie Tucker |
| Source:
Red Hot Jazz |
|
| Age of Aquarius |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Hair |
| Source:
Raven's Real Audio |
|
| Ah! May the Red Rose Live Always |
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| Type:
Antebellum |
| Year
Performed: 1974 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| Ain't Misbehavin |
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| Type:
Jazz |
| Year
Performed: 1933 |
| Performer:
Duke Ellington |
| Source:
Dismuke's Virtual Talking Machine |
|
| Ain't Misbehavin' |
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| Type:
Jazz |
| Year
Performed: 1938 |
| Performer:
Fats Waller |
| Source:
Red Hot Jazz |
|
| Ain't Misbehavin' |
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| Type:
Jazz |
| Year
Performed: 1929 |
| Performer:
Louis Armstrong |
| Source:
Red Hot Jazz |
|
| Ain't We Got Fun |
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| Type:
1920s |
| Year
Performed: 1922 |
| Performer:
Mitchell's Jazz Kings |
| Source:
Big Band's Database Plus |
|
| Ain't We Got Fun |
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| Type:
1920s |
| Year
Performed: 1921 |
| Performer:
Van and Shenck |
| Source:
Authentic History |
|
| Alexander's Ragtime Band |
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| Type:
Jazz |
| Year
Performed: 1927 |
| Performer:
Bessie Smith |
| Source:
Red Hot Jazz |
|
| Alexander's Ragtime Band |
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| Type:
Jazz |
| Year
Performed: 1937 |
| Performer:
Louis Armstrong |
| Source:
Red Hot Jazz |
|
| All of Me |
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| Type:
Jazz |
| Year
Performed: 1932 |
| Performer:
Louis Armstrong |
| Source:
Red Hot Jazz |
|
| All of Me |
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| Type:
Depression |
| Year
Performed: 1932 |
| Performer:
Louis Armstrong |
| Source:
Authentic History |
|
| All You Need is Love |
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| Type:
1960s |
| Year
Performed: |
| Performer:
Beatles |
| Source:
Formation of Modern American Culture |
|
| Almost Like Being in Love |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Brigadoon |
| Source:
Raven's Real Audio |
|
| Alone at the Drive-In |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Grease |
| Source:
Raven's Real Audio |
|
| Always True to You in My Fashion |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Kiss Me Kate |
| Source:
Raven's Real Audio |
|
| Amazing Grace |
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| Type:
Spiritual |
| Year
Performed: 1960 |
| Performer:
Elder Walter Evans |
| Source:
Authentic History |
|
| America |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
West Side Story |
| Source:
Raven's Real Audio |
|
| America Calling |
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| Type:
World War II |
| Year
Performed: 1942 |
| Performer:
Fred Waring |
| Source:
World War II Songs, Syracuse University |
|
| Amor Pendiente (Ranchera) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1948 |
| Performer:
Las Hermanas Fraga |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Anacreontic Song |
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| Type:
Patriotic |
| Year
Performed: 1981 |
| Performer:
1st Brigade Band |
| Source:
1st Brigade Band |
|
| Angels of Mercy |
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| Type:
World War II |
| Year
Performed: 1941 |
| Performer:
Glenn Miller |
| Source:
World War II Songs, Syracuse University |
|
| Any Bonds Today |
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| Type:
World War II |
| Year
Performed: |
| Performer:
|
| Source:
Authentic History |
|
| Anything Goes |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Anything Goes |
| Source:
Raven's Real Audio |
|
| Anything You Can Do |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Annie Get Your Gun |
| Source:
Raven's Real Audio |
|
| Are You Makin' Any Money? |
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| Type:
Depression |
| Year
Performed: 1933 |
| Performer:
Chuck Bullock and His Levee Loungers |
| Source:
Authentic History |
|
| Arkansas Traveler |
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| Type:
Hillbilly |
| Year
Performed: 1929 |
| Performer:
Pop Hanks and His Boys |
| Source:
Honkingduck |
|
| Arkansas Traveler |
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| Type:
Hillbilly |
| Year
Performed: 1924 |
| Performer:
Fiddlin' John Carson |
| Source:
Honkingduck |
|
| Arkansas Traveler |
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| Type:
Hillbilly |
| Year
Performed: 1930 |
| Performer:
Frisco Players |
| Source:
Honkingduck |
|
| Arrancame el CorazĂłn (Vals Ranchera) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1951 |
| Performer:
Juanita & MarĂa Mendoza |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Arrancame el CorazĂłn (Vals Ranchera) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1951 |
| Performer:
Juanita & MarĂa Mendoza |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Ascot Gavotte |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
My Fair Lady |
| Source:
Raven's Real Audio |
|
| Atom and Evil |
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| Type:
Atom Bomb |
| Year
Performed: 1946 |
| Performer:
Golden Gate Quartet |
| Source:
Authentic History |
|
| Atom Bomb Baby |
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| Type:
Atom Bomb |
| Year
Performed: 1957 |
| Performer:
Five Stars |
| Source:
Authentic History |
|
| Atomic Cocktail |
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| Type:
Atom Bomb |
| Year
Performed: 1945 |
| Performer:
Slim Gaillard Quartette |
| Source:
Authentic History |
|
| Atomic Power |
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| Type:
Atom Bomb |
| Year
Performed: 1946 |
| Performer:
Buchanan Brothers |
| Source:
Authentic History |
|
| Atomic Sermon |
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| Type:
Atom Bomb |
| Year
Performed: 1953 |
| Performer:
Billy Hughes and the Rhythm Buckaroos |
| Source:
Authentic History |
|
| Back Home for Keeps |
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| Type:
World War II |
| Year
Performed: 1945 |
| Performer:
Guy Lombardo |
| Source:
World War II Songs, Syracuse University |
|
| Bali Hai |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
South Pacific |
| Source:
Raven's Real Audio |
|
| Bali Hai (1949) |
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| Type:
Richard Rodgers |
| Year
Performed: |
| Performer:
South Pacific |
| Source:
NPR |
|
| Ballstown |
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| Type:
Sacred Harp |
| Year
Performed: |
| Performer:
Nehemiah Shumway |
| Source:
Sacred Harp Singing, University of Mississippi |
|
| Baltimore Buzz |
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| Type:
Jazz |
| Year
Performed: 1921 |
| Performer:
Noble Sissle |
| Source:
Red Hot Jazz |
|
| Bandana Days |
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| Type:
Jazz |
| Year
Performed: 1922 |
| Performer:
Noble Sissle and Eubie Blake |
| Source:
Red Hot Jazz |
|
| Bandana Days |
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| Type:
Jazz |
| Year
Performed: 1921 |
| Performer:
Eubie Blake |
| Source:
Red Hot Jazz |
|
| Bandana Days/Love Will Find a Way |
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| Type:
Jazz |
| Year
Performed: 1921 |
| Performer:
James P. Johnson |
| Source:
Red Hot Jazz |
|
| Basin Street Blues |
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| Type:
Jazz |
| Year
Performed: 1933 |
| Performer:
Louis Armstrong |
| Source:
Red Hot Jazz |
|
| Battle Hymn of the Republic |
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| Type:
Civil War |
| Year
Performed: |
| Performer:
Reinald Werrenrath |
| Source:
Authentic History |
|
| Be Back Soon |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Oliver |
| Source:
Raven's Real Audio |
|
| Beale Street Blues |
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| Type:
Jazz |
| Year
Performed: 1927 |
| Performer:
Jelly Roll Morton |
| Source:
Red Hot Jazz |
|
| Beauty School Dropout |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Grease |
| Source:
Raven's Real Audio |
|
| Been a Long Day |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
How to Succeed |
| Source:
Raven's Real Audio |
|
| Been in the Storm So Long |
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| Type:
Spiritual |
| Year
Performed: 1956 |
| Performer:
Fisk Jubilee Singers |
| Source:
Authentic History |
|
| Begin the Beguine |
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| Type:
1930s |
| Year
Performed: |
| Performer:
Artie Shaw |
| Source:
Manufacturing Memory, University of Virginia |
|
| Bei Mir Bist Du Schon |
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| Type:
1930s |
| Year
Performed: |
| Performer:
Andrews Sisters |
| Source:
Manufacturing Memory, University of Virginia |
|
| Bell Bottom Trousers |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Connie Boswell & The V-disc Men |
| Source:
Authentic History |
|
| Bewitched, Bothered and Bewildered (1940) |
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| Type:
Richard Rodgers |
| Year
Performed: |
| Performer:
Rodgers and Hart |
| Source:
NPR |
|
| Bill Bailey |
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| Type:
Hillbilly |
| Year
Performed: 1927 |
| Performer:
Young Brothers Tennessee Band |
| Source:
Honkingduck |
|
| Blonde Texan Woman |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
JesĂşs Meraz |
| Source:
Music of the Southwest, University of Arizona |
|
| Blowing in the Wind |
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| Type:
1960s |
| Year
Performed: |
| Performer:
Joan Baez |
| Source:
Formation of Modern American Culture |
|
| Blue Moon (1934) |
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| Type:
Richard Rodgers |
| Year
Performed: |
| Performer:
Rodgers and Hart |
| Source:
NPR |
|
| Body and Soul |
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| Type:
Depression |
| Year
Performed: 1930 |
| Performer:
Majestic Dance Orchestra |
| Source:
Dismuke's Virtual Talking Machine |
|
| Body and Soul |
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| Type:
Jazz |
| Year
Performed: 1930 |
| Performer:
Louis Armstrong |
| Source:
Red Hot Jazz |
|
| Bombadier Song |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Bing Crosby |
| Source:
Marshall Stelzriede's Wartime Story |
|
| Boogie Woogie Bugle Boy |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Andrews Sisters |
| Source:
Marshall Stelzriede's Wartime Story |
|
| Boogie Woogie Bugle Boy |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Andrews Sisters |
| Source:
Authentic History |
|
| Boppin' the Rock |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1955 |
| Performer:
Armando Almendarez & Conjunto México |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Bouncer at the Blazing Rag |
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| Type:
Early 1900s |
| Year
Performed: 1902 |
| Performer:
Len Spencer and Gilbert Gerard |
| Source:
Authentic History |
|
| Boy Like This |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
West Side Story |
| Source:
Raven's Real Audio |
|
| Boys of the Old Brigade |
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| Type:
Civil War |
| Year
Performed: |
| Performer:
Chatauqua Preachers' Quartette |
| Source:
Authentic History |
|
| Brakeman's Blues |
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| Type:
Hillbilly |
| Year
Performed: 1928 |
| Performer:
Jimmie Rodgers |
| Source:
Honkingduck |
|
| Bread and Roses |
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| Type:
Labor |
| Year
Performed: |
| Performer:
|
| Source:
Formation of Modern American Culture |
|
| Brigadoon |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Brigadoon |
| Source:
Raven's Real Audio |
|
| Brother, Can You Spare a Dime? |
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| Type:
Depression |
| Year
Performed: 1932 |
| Performer:
Rudy Vallee |
| Source:
Authentic History |
|
| Brotherhood of Man |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
How to Succeed |
| Source:
Raven's Real Audio |
|
| Brush Up Your Shakespeare |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Kiss Me Kate |
| Source:
Raven's Real Audio |
|
| By the Light of the Silvery Moon |
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| Type:
Jazz |
| Year
Performed: 1942 |
| Performer:
Fats Waller |
| Source:
Red Hot Jazz |
|
| Cabaret |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Cabaret |
| Source:
Raven's Real Audio |
|
| Camelot/Finale |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Camelot |
| Source:
Raven's Real Audio |
|
| Can the Circle Be Unbroken |
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| Type:
Hillbilly |
| Year
Performed: 1935 |
| Performer:
Carter Family |
| Source:
Honkingduck |
|
| Can't Help Lovin' That Man |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Showboat |
| Source:
Raven's Real Audio |
|
| Captain Finch's Quickstep |
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| Type:
Antebellum |
| Year
Performed: 1974 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| Captain Shepherd's Quickstep |
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| Type:
Antebellum |
| Year
Performed: 1974 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| Casey Jones |
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| Type:
Early 1900s |
| Year
Performed: 1912 |
| Performer:
Billy Murray Chorus |
| Source:
Authentic History |
|
| Casey Jones |
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| Type:
Hillbilly |
| Year
Performed: 1928 |
| Performer:
Bob Skiles |
| Source:
Honkingduck |
|
| Casey Jones |
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| Type:
Hillbilly |
| Year
Performed: 1924 |
| Performer:
Fiddlin' John Carson and Moonshine Kate |
| Source:
Honkingduck |
|
| C'est Moi |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Camelot |
| Source:
Raven's Real Audio |
|
| Charleston |
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| Type:
Jazz |
| Year
Performed: 1925 |
| Performer:
California Ramblers |
| Source:
Red Hot Jazz |
|
| Charleston Rag |
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| Type:
Ragtime |
| Year
Performed: |
| Performer:
|
| Source:
Formation of Modern American Culture |
|
| Chattanooga Choo Choo |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Glenn Miller |
| Source:
Marshall Stelzriede's Wartime Story |
|
| Cheek to Cheek |
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| Type:
1930s |
| Year
Performed: |
| Performer:
Fred Astaire |
| Source:
Manufacturing Memory, University of Virginia |
|
| Chicago |
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| Type:
1920s |
| Year
Performed: 1923 |
| Performer:
Mitchell's Jazz Kings |
| Source:
Big Band's Database Plus |
|
| Christopher Street |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Wonderful Town |
| Source:
Raven's Real Audio |
|
| Cleanin' My Rifle (And Dreamin' of You) |
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| Type:
World War II |
| Year
Performed: 1943 |
| Performer:
Lawrence Welk |
| Source:
World War II Songs, Syracuse University |
|
| Climb Every Mountain |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Sound of Music |
| Source:
Raven's Real Audio |
|
| Climb Ev'ry Mountain (1959) |
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| Type:
Richard Rodgers |
| Year
Performed: |
| Performer:
Sound of Music |
| Source:
NPR |
|
| Closing Comments "El Corrido de Cornelio Vega" |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
Celestino Fernandez |
| Source:
Music of the Southwest, University of Arizona |
|
| Closing Comments The Blonde Texas Woman |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
Celestino Fernandez |
| Source:
Music of the Southwest, University of Arizona |
|
| Closing remarks to El Mojado Mafioso |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
|
| Source:
Music of the Southwest, University of Arizona |
|
| Coffee Break |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
How to Succeed |
| Source:
Raven's Real Audio |
|
| Come Josephine in My Flying Machine |
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| Type:
Early 1900s |
| Year
Performed: 1911 |
| Performer:
Harry Tally |
| Source:
Authentic History |
|
| Come On and Kiss Yo' Baby |
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| Type:
Early 1900s |
| Year
Performed: 1907 |
| Performer:
Collins and Harlan |
| Source:
Authentic History |
|
| Comin' In on a Wing and a Prayer |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Jimmy McHugh |
| Source:
Authentic History |
|
| Company Way |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
How to Succeed |
| Source:
Raven's Real Audio |
|
| Conga |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Wonderful Town |
| Source:
Raven's Real Audio |
|
| Consider Yourself |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Oliver |
| Source:
Raven's Real Audio |
|
| Contestacion a mi cafetal (CanciĂłn) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1952 |
| Performer:
Delia y Laura |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Cool |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
West Side Story |
| Source:
Raven's Real Audio |
|
| Corazon del pueblo (Ranchera) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1955 |
| Performer:
Isidro Lopez |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Corina, Corina (Blues) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1961 |
| Performer:
Eddie con Los Shades |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Corrido 1 |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
Americo Paredes |
| Source:
Americo Paredes Homepage, University of Texas |
|
| Corrido 2 |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
Americo Paredes |
| Source:
Americo Paredes Homepage, University of Texas |
|
| Corrido 3 |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
Americo Paredes |
| Source:
Americo Paredes Homepage, University of Texas |
|
| Corrido 4 |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
Americo Paredes |
| Source:
Americo Paredes Homepage, University of Texas |
|
| Corrido 5 |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
Americo Paredes |
| Source:
Americo Paredes Homepage, University of Texas |
|
| Corrido 6 |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
Americo Paredes |
| Source:
Americo Paredes Homepage, University of Texas |
|
| Corrido 7 |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
Americo Paredes |
| Source:
Americo Paredes Homepage, University of Texas |
|
| Corrido 8 |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
Americo Paredes |
| Source:
Americo Paredes Homepage, University of Texas |
|
| Corrido de el Burro Mojado |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
Mario Celis |
| Source:
Music of the Southwest, University of Arizona |
|
| Corrido de los Derechos Humanos |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
Marco Antonio |
| Source:
Music of the Southwest, University of Arizona |
|
| Corrido de Vietnam |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
|
| Source:
Music of the Southwest, University of Arizona |
|
| Corrido Del Bracero Fracasado |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
Estalislado Lona |
| Source:
Music of the Southwest, University of Arizona |
|
| Corrido del Tiradito |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
Hector Vega |
| Source:
Music of the Southwest, University of Arizona |
|
| Corrina, Corrina |
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| Type:
Hillbilly |
| Year
Performed: 1932 |
| Performer:
Ashley & Abernathy |
| Source:
Honkingduck |
|
| Couldn't Hear Nobody Pray |
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| Type:
Spiritual |
| Year
Performed: |
| Performer:
Sam McClain |
| Source:
PBS |
|
| Couldn't Hear Nobody Pray |
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| Type:
Spiritual |
| Year
Performed: 1975 |
| Performer:
Tuskegee Institute Choir |
| Source:
Authentic History |
|
| Cowards Over Pearl Harbor |
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| Type:
World War II |
| Year
Performed: 1941 |
| Performer:
Denver Darling |
| Source:
World War II Songs, Syracuse University |
|
| Crazy Blues |
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| Type:
Jazz |
| Year
Performed: 1921 |
| Performer:
Noble Sissle and Eubie Blake |
| Source:
Red Hot Jazz |
|
| Crazy Blues |
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| Type:
Jazz |
| Year
Performed: 1920 |
| Performer:
Mamie Smith |
| Source:
Red Hot Jazz |
|
| Crazy Blues |
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| Type:
Jazz |
| Year
Performed: |
| Performer:
Mamie Smith |
| Source:
Formation of Modern American Culture |
|
| Crazy Words -- Crazy Tune |
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| Type:
Jazz |
| Year
Performed: 1927 |
| Performer:
California Ramblers |
| Source:
Red Hot Jazz |
|
| Crazy Words -- Crazy Tune |
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| Type:
World War II |
| Year
Performed: 1927 |
| Performer:
Irving Aaronson |
| Source:
Red Hot Jazz |
|
| Crazy Words--Crazy Tune (Vo-do-de-o) |
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| Type:
1920s |
| Year
Performed: 1926 |
| Performer:
Irving Aaronson and his Commanders |
| Source:
Authentic History |
|
| Cross Road Blues |
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| Type:
Rural Blues |
| Year
Performed: 1936 |
| Performer:
Robert Johnson |
| Source:
Catherine Lavender |
|
| Cuba |
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| Type:
Sacred Harp |
| Year
Performed: 1929 |
| Performer:
Alabama Sacred Harp Singers |
| Source:
Honkingduck |
|
| Daddy Goodbye Blues |
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| Type:
Jazz |
| Year
Performed: |
| Performer:
Ma Rainey |
| Source:
Formation of Modern American Culture |
|
| Dames |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
42nd Street |
| Source:
Raven's Real Audio |
|
| Dark Was The Night (Cold Was The Ground) |
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| Type:
Depression |
| Year
Performed: 1927 |
| Performer:
Blind Willie Johnson |
| Source:
Authentic History |
|
| Daughters of Freedom |
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| Type:
Postbellum |
| Year
Performed: 1998 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| Dawn of a New Day |
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| Type:
Depression |
| Year
Performed: 1939 |
| Performer:
Horace Heidt and His Musical Knights |
| Source:
Authentic History |
|
| D-Day |
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| Type:
World War II |
| Year
Performed: |
| Performer:
|
| Source:
Authentic History |
|
| Dear Mom |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Sammy Keye |
| Source:
Authentic History |
|
| Der Fuehrer's Face |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Spike Jones and His City Slickers |
| Source:
Authentic History |
|
| Desde Navolato Vengo |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
Lalo Robles and his orchestra |
| Source:
Music of the Southwest, University of Arizona |
|
| Detroit Moan |
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| Type:
Depression |
| Year
Performed: 1936 |
| Performer:
Victoria Spivey and the Chicago Four |
| Source:
Authentic History |
|
| Diamonds Are a Girl's Best Friend |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Gentlemen Prefer Blondes |
| Source:
Raven's Real Audio |
|
| Did He Ever Return |
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| Type:
Hillbilly |
| Year
Performed: 1928 |
| Performer:
Fiddlin' John Carson |
| Source:
Honkingduck |
|
| Didn't My Lord Deliver Daniel? |
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| Type:
Spiritual |
| Year
Performed: 1978 |
| Performer:
Howard Roberts Chorale |
| Source:
Authentic History |
|
| Dinah |
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| Type:
Jazz |
| Year
Performed: 1930 |
| Performer:
Louis Armstrong |
| Source:
Red Hot Jazz |
|
| Dinah |
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| Type:
Jazz |
| Year
Performed: 1925 |
| Performer:
Cliff Edwards |
| Source:
Red Hot Jazz |
|
| Dinah |
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| Type:
Jazz |
| Year
Performed: 1926 |
| Performer:
Clarence Williams |
| Source:
Red Hot Jazz |
|
| Dipper Mouth Blues |
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| Type:
Jazz |
| Year
Performed: 1923 |
| Performer:
King Oliver |
| Source:
Red Hot Jazz |
|
| Dixie Land |
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| Type:
Civil War |
| Year
Performed: |
| Performer:
Peerless Quartet |
| Source:
Authentic History |
|
| Do Re Mi |
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| Type:
Broadway |
| Year
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| Performer:
Sound of Music |
| Source:
Raven's Real Audio |
|
| Do Re Mi (1959) |
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| Type:
Richard Rodgers |
| Year
Performed: |
| Performer:
Sound of Music |
| Source:
NPR |
|
| Does the Spearmint Lose its Flavor on the Bedpost |
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| Type:
1920s |
| Year
Performed: 1924 |
| Performer:
Billy Jones |
| Source:
Authentic History |
|
| Doin' What Comes Naturally |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Annie Get Your Gun |
| Source:
Raven's Real Audio |
|
| Doing Something Rag |
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| Type:
Ragtime |
| Year
Performed: |
| Performer:
|
| Source:
Formation of Modern American Culture |
|
| Doña Chona (Mambo) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1953 |
| Performer:
Pedro Bugarin |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Don't Be Cruel |
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| Type:
1950s |
| Year
Performed: |
| Performer:
Elvis Presley |
| Source:
Formation of Modern American Culture |
|
| Don't Cry for Me Argentina |
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| Type:
Broadway |
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| Performer:
Evita |
| Source:
Raven's Real Audio |
|
| Don't Sit Under the Apple Tree |
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| Type:
World War II |
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Performed: |
| Performer:
|
| Source:
Authentic History |
|
| Don't Tell Mama |
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| Type:
Broadway |
| Year
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| Performer:
Cabaret |
| Source:
Raven's Real Audio |
|
| Don't Worry Mom |
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| Type:
World War II |
| Year
Performed: 1944 |
| Performer:
Sonny Dunham |
| Source:
World War II Songs, Syracuse University |
|
| Door Latch Quickstep |
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| Type:
Antebellum |
| Year
Performed: 1974 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| Down Where the Swanee River Flows |
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| Type:
Civil War |
| Year
Performed: |
| Performer:
Hayden Quartet |
| Source:
Authentic History |
|
| Duke Ellington |
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| Type:
1930s |
| Year
Performed: |
| Performer:
Symphony in Black |
| Source:
Manufacturing Memory, University of Virginia |
|
| Edelweiss |
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| Type:
Broadway |
| Year
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| Performer:
Sound of Music |
| Source:
Raven's Real Audio |
|
| El Mojado Mafioso |
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| Type:
Corrido |
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Performed: |
| Performer:
Marco Antonio Montez |
| Source:
Music of the Southwest, University of Arizona |
|
| Embraceable You |
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| Type:
George Gershwin |
| Year
Performed: |
| Performer:
Ella Fitzgerald |
| Source:
Minnesota Public Radio |
|
| En Brazos de Otro Hombre [Ranchera] |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1953 |
| Performer:
Ada Garcia |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Every Little Bit Added |
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| Type:
Early 1900s |
| Year
Performed: 1908 |
| Performer:
Arthur Collins |
| Source:
Authentic History |
|
| Everything's Coming Up Roses |
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| Type:
Broadway |
| Year
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| Performer:
Gypsy |
| Source:
Raven's Real Audio |
|
| Falling in Love Again |
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| Type:
1920s |
| Year
Performed: 1930 |
| Performer:
Marlene Dietrich |
| Source:
Authentic History |
|
| Falling in Love With Love (1938) |
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| Type:
Richard Rodgers |
| Year
Performed: |
| Performer:
Rodgers and Hart |
| Source:
NPR |
|
| Fame |
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| Type:
Broadway |
| Year
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| Performer:
Fame |
| Source:
Raven's Real Audio |
|
| Far from the Home I Love |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Fiddler on the Roof |
| Source:
Raven's Real Audio |
|
| Feliz Sin Ti (Bolero) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1950 |
| Performer:
Lydia Mendoza |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Fie on Goodness |
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| Type:
Broadway |
| Year
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| Performer:
Camelot |
| Source:
Raven's Real Audio |
|
| Fifty Million Frenchmen |
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| Type:
Jazz |
| Year
Performed: 1927 |
| Performer:
Sophie Tucker |
| Source:
Red Hot Jazz |
|
| Fighting Doug MacArthur |
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| Type:
World War II |
| Year
Performed: |
| Performer:
|
| Source:
Authentic History |
|
| Finale |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
How to Succeed |
| Source:
Raven's Real Audio |
|
| Finale |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
King and I |
| Source:
Raven's Real Audio |
|
| First introduction to El Mojado Mafioso |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
|
| Source:
Music of the Southwest, University of Arizona |
|
| Fixin' to Die |
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| Type:
1960s |
| Year
Performed: |
| Performer:
Country Joe and the Fish |
| Source:
Formation of Modern American Culture |
|
| Flor marchita (Schotis) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1937 |
| Performer:
Narciso Martinez |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Florecita (Polka) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1956 |
| Performer:
Narciso Martinez |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Food Glorious Food |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Oliver |
| Source:
Raven's Real Audio |
|
| Forget About the Boy |
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| Type:
Broadway |
| Year
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| Performer:
Thoroughly Modern Millie |
| Source:
Raven's Real Audio |
|
| Forgotten Man |
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| Type:
Depression |
| Year
Performed: |
| Performer:
|
| Source:
Formation of Modern American Culture |
|
| Francisco MartĂnez [Corrido] |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1949 |
| Performer:
Gaytan and Felix Solis |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Frankie |
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| Type:
Hillbilly |
| Year
Performed: 1927 |
| Performer:
Dykes Magic City Trio |
| Source:
Honkingduck |
|
| Frankie and Johnny |
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| Type:
Jazz |
| Year
Performed: 1929 |
| Performer:
King Oliver |
| Source:
Red Hot Jazz |
|
| Frankie and Johnny |
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| Type:
Jazz |
| Year
Performed: 1923 |
| Performer:
Isham Jones |
| Source:
Red Hot Jazz |
|
| Free and Easy |
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| Type:
Antebellum |
| Year
Performed: 1974 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| Freedom Now Chant |
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| Type:
Civil Rights |
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Performed: |
| Performer:
|
| Source:
Formation of Modern American Culture |
|
| Friendship |
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| Type:
Broadway |
| Year
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| Performer:
Anything Goes |
| Source:
Raven's Real Audio |
|
| G.I. Blues |
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| Type:
World War II |
| Year
Performed: 1944 |
| Performer:
Floyd Tillman |
| Source:
World War II Songs, Syracuse University |
|
| Garfield (Mourning) |
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| Type:
Postbellum |
| Year
Performed: 1998 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| Garfield (Prayer for Recovery) |
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| Type:
Postbellum |
| Year
Performed: 1998 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| Gary Indiana |
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| Type:
Broadway |
| Year
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| Performer:
Music Man |
| Source:
Raven's Real Audio |
|
| General Taylor Storming Monterey |
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| Type:
Antebellum |
| Year
Performed: 1974 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| Georgia on My Mind |
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| Type:
Jazz |
| Year
Performed: 1931 |
| Performer:
Louis Armstrong |
| Source:
Red Hot Jazz |
|
| Georgia On My Mind |
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| Type:
Jazz |
| Year
Performed: 1930 |
| Performer:
Hoagy Carmichael |
| Source:
Red Hot Jazz |
|
| Get It While You Can |
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| Type:
1960s |
| Year
Performed: |
| Performer:
Janice Joplin |
| Source:
Formation of Modern American Culture |
|
| Get Me to the Church on Time |
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| Type:
Broadway |
| Year
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| Performer:
My Fair Lady |
| Source:
Raven's Real Audio |
|
| Getting to Know You |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
King and I |
| Source:
Raven's Real Audio |
|
| Getting to Know You (1951) |
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| Type:
Richard Rodgers |
| Year
Performed: |
| Performer:
King and I |
| Source:
NPR |
|
| GI Jive |
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| Type:
World War II |
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Performed: |
| Performer:
Glenn Miller |
| Source:
Authentic History |
|
| Gigi |
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| Type:
Broadway |
| Year
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| Performer:
Gigi |
| Source:
Raven's Real Audio |
|
| Gimme a Pig Foot |
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| Type:
Urban Blues |
| Year
Performed: 1933 |
| Performer:
Bessie Smith |
| Source:
Catherine Lavender |
|
| Gimme Gimme |
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| Type:
Broadway |
| Year
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| Performer:
Thoroughly Modern Millie |
| Source:
Raven's Real Audio |
|
| Girls, Don't Refuse to Kiss a Soldier |
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| Type:
World War II |
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| Performer:
|
| Source:
Authentic History |
|
| Gloomy Sunday |
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| Type:
Depression |
| Year
Performed: 1941 |
| Performer:
Billie Holiday |
| Source:
Authentic History |
|
| Go Down Old Hannah |
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| Type:
Work & Prison Songs |
| Year
Performed: 1951 |
| Performer:
Texas Prison Camp Work Gang |
| Source:
Catherine Lavender |
|
| Go Down, Moses |
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| Type:
Spiritual |
| Year
Performed: 1965 |
| Performer:
Paul Robeson |
| Source:
Authentic History |
|
| God Bless America |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Kate Smith |
| Source:
Marshall Stelzriede's Wartime Story |
|
| Good Night Irene |
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| Type:
1930s |
| Year
Performed: |
| Performer:
Lead Belly |
| Source:
Manufacturing Memory, University of Virginia |
|
| Goodbye Dolly Gray |
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| Type:
Civil War |
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Performed: |
| Performer:
Hugh Donovan |
| Source:
Authentic History |
|
| Goodbye Mama |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Frankie Masters |
| Source:
Marshall Stelzriede's Wartime Story |
|
| Goodbye Mama, I'm Off to Yokahoma |
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| Type:
World War II |
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| Performer:
Dick Robertson |
| Source:
Authentic History |
|
| Got to Pick a Pocket or Two |
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| Type:
Broadway |
| Year
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| Performer:
Oliver |
| Source:
Raven's Real Audio |
|
| Grandfather's Clock |
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| Type:
Postbellum |
| Year
Performed: 1998 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| Grease |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Grease |
| Source:
Raven's Real Audio |
|
| Greased Lightning |
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| Type:
Broadway |
| Year
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| Performer:
Grease |
| Source:
Raven's Real Audio |
|
| Great Speckle Bird |
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| Type:
1930s |
| Year
Performed: |
| Performer:
Roy Acuff |
| Source:
Manufacturing Memory, University of Virginia |
|
| Gulf Coast Blues |
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| Type:
Jazz |
| Year
Performed: 1923 |
| Performer:
W.C. Handy |
| Source:
Red Hot Jazz |
|
| Guys and Dolls |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Guys and Dolls |
| Source:
Raven's Real Audio |
|
| Hair |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Hair |
| Source:
Raven's Real Audio |
|
| Handy Man |
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| Type:
Hillbilly |
| Year
Performed: 1928 |
| Performer:
New Arkansas Travelers |
| Source:
Honkingduck |
|
| Hang Down Your Head & Cry |
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| Type:
Hillbilly |
| Year
Performed: 1933 |
| Performer:
Asa Martin & James Roberts |
| Source:
Honkingduck |
|
| Happiness is a Warm Gun |
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| Type:
1960s |
| Year
Performed: |
| Performer:
Beatles |
| Source:
Formation of Modern American Culture |
|
| Happy Days Are Here Again |
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| Type:
Depression |
| Year
Performed: 1929 |
| Performer:
Casa Loma Orchestra |
| Source:
Authentic History |
|
| Happy Days Are Here Again |
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| Type:
1930s |
| Year
Performed: |
| Performer:
Bennie Meroff |
| Source:
Manufacturing Memory, University of Virginia |
|
| Happy Days Are Here Again |
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| Type:
1920s |
| Year
Performed: 1929 |
| Performer:
Leo Reisman |
| Source:
Dismuke's Virtual Talking Machine |
|
| Happy Talk |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
South Pacific |
| Source:
Raven's Real Audio |
|
| Happy to Keep His Dinner Warm |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
How to Succeed |
| Source:
Raven's Real Audio |
|
| Harlem Stomp |
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| Type:
Jazz |
| Year
Performed: 1940 |
| Performer:
Louis Armstrong |
| Source:
Red Hot Jazz |
|
| Have You Met Miss Jones? (1937) |
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| Type:
Richard Rodgers |
| Year
Performed: |
| Performer:
Rodgers and Hart |
| Source:
NPR |
|
| He Wears a Pair of Silver Pins |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Dinah Shore |
| Source:
Marshall Stelzriede's Wartime Story |
|
| Headin' For Better Times |
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| Type:
Depression |
| Year
Performed: 1931 |
| Performer:
Ted Lewis and his Band |
| Source:
Authentic History |
|
| Heart Bow'd Down |
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| Type:
Antebellum |
| Year
Performed: 1974 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| Heaven |
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| Type:
Spirituals |
| Year
Performed: |
| Performer:
JoAnne Stpehenson |
| Source:
Negrospirituals.com |
|
| Heebie Jeebies |
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| Type:
Jazz |
| Year
Performed: 1926 |
| Performer:
Louis Armstrong |
| Source:
Red Hot Jazz |
|
| Hell Hound on My Trail |
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| Type:
Rural Blues |
| Year
Performed: 1936 |
| Performer:
Robert Johnson |
| Source:
Catherine Lavender |
|
| Hello Dolly |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Hello Dolly |
| Source:
Raven's Real Audio |
|
| Hello Mom |
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| Type:
World War II |
| Year
Performed: 1942 |
| Performer:
Bing Crosby |
| Source:
World War II Songs, Syracuse University |
|
| Hello Young Lovers |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
King and I |
| Source:
Raven's Real Audio |
|
| Help Me |
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| Type:
Spiritual |
| Year
Performed: |
| Performer:
Sam McClain |
| Source:
PBS |
|
| Helter Skelter |
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| Type:
1960s |
| Year
Performed: |
| Performer:
Beatles |
| Source:
Formation of Modern American Culture |
|
| Here's to You MacArthur |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Gene Krupa |
| Source:
Authentic History |
|
| He's 1-A In The Army And He's A-1 In My Heart |
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| Type:
World War II |
| Year
Performed: 1941 |
| Performer:
Les Brown and his Orchestra |
| Source:
Authentic History |
|
| He's In the Ring |
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| Type:
Depression |
| Year
Performed: 1935 |
| Performer:
Memphis Minnie |
| Source:
Authentic History |
|
| Hey, Big Spender |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Sweet Charity |
| Source:
Raven's Real Audio |
|
| Hirohito's Letter to Hitler |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Carson Robison |
| Source:
Authentic History |
|
| Hitler's Last Letter to Hirohito |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Carson Robison |
| Source:
Authentic History |
|
| Hitler's Reply to Mussolini |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Carson Robison |
| Source:
Authentic History |
|
| Home on the Range |
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| Type:
Hillbilly |
| Year
Performed: 1933 |
| Performer:
Jules Allen |
| Source:
Honkingduck |
|
| Honeysuckle Rose |
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| Type:
Jazz |
| Year
Performed: 1934 |
| Performer:
Fats Waller |
| Source:
Red Hot Jazz |
|
| Hopelessly Devoted to You |
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| Type:
Broadway |
| Year
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| Performer:
Grease |
| Source:
Raven's Real Audio |
|
| Horse Paul Revere |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Guys and Dolls |
| Source:
Raven's Real Audio |
|
| Hot Time in the Old Town Tonight |
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| Type:
Jazz |
| Year
Performed: 1927 |
| Performer:
Miff Mole |
| Source:
Red Hot Jazz |
|
| Hound Dog |
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| Type:
1950s |
| Year
Performed: |
| Performer:
Elvis Presley |
| Source:
Formation of Modern American Culture |
|
| How About a Cheer for the Navy |
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| Type:
World War II |
| Year
Performed: 1942 |
| Performer:
All Soldier Orchestra |
| Source:
World War II Songs, Syracuse University |
|
| How Are Things In Glocca Morra? |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Finian's Rainbow |
| Source:
Raven's Real Audio |
|
| How Dry I Am |
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| Type:
Hillbilly |
| Year
Performed: 1929 |
| Performer:
Wise String Band |
| Source:
Honkingduck |
|
| How to Handle a Woman |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Camelot |
| Source:
Raven's Real Audio |
|
| Hunters' Chorus, from The Rose of Erin |
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| Type:
Antebellum |
| Year
Performed: 1974 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| I Ain't Got Nobody |
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| Type:
Jazz |
| Year
Performed: 1927 |
| Performer:
Bessie Smith |
| Source:
Red Hot Jazz |
|
| I Ain't Got Nobody |
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| Type:
Jazz |
| Year
Performed: 1927 |
| Performer:
Sophie Tucker |
| Source:
Red Hot Jazz |
|
| I Am A Man Of Constant Sorrow |
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| Type:
Hillbilly |
| Year
Performed: 1928 |
| Performer:
Emry Arthur |
| Source:
Honkingduck |
|
| I Am the Edison Phonograph |
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| Type:
Early 1900s |
| Year
Performed: 1906 |
| Performer:
Len Spencer |
| Source:
Authentic History |
|
| I Believe in You |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
How to Succeed |
| Source:
Raven's Real Audio |
|
| I Can't Give You Anything But Love |
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| Type:
1920s |
| Year
Performed: |
| Performer:
Seeburg Coin Piano |
| Source:
Authentic History |
|
| I Can't Give You Anything But Love |
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| Type:
Jazz |
| Year
Performed: 1938 |
| Performer:
Fats Waller |
| Source:
Red Hot Jazz |
|
| I Can't Give You Anything But Love |
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| Type:
Jazz |
| Year
Performed: 1928 |
| Performer:
Duke Ellington |
| Source:
Red Hot Jazz |
|
| I Can't Say No |
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| Type:
Broadway |
| Year
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| Performer:
Oklahoma |
| Source:
Raven's Real Audio |
|
| I Could Have Danced All Night |
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| Type:
Broadway |
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| Performer:
My Fair Lady |
| Source:
Raven's Real Audio |
|
| I Don't Know How to Love Him |
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| Type:
Broadway |
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| Performer:
Jesus Christ, Superstar |
| Source:
Raven's Real Audio |
|
| I Feel Pretty |
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| Type:
Broadway |
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| Performer:
West Side Story |
| Source:
Raven's Real Audio |
|
| I Get a Kick Out of You |
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| Type:
Broadway |
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| Performer:
Anything Goes |
| Source:
Raven's Real Audio |
|
| I Got Rhythm |
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| Type:
1930s |
| Year
Performed: |
| Performer:
Bennie Goodman |
| Source:
Manufacturing Memory, University of Virginia |
|
| I Got Rhythm |
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| Type:
Jazz |
| Year
Performed: 1938 |
| Performer:
Fats Waller |
| Source:
Red Hot Jazz |
|
| I Got Rhythm (Gershwin) |
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| Type:
Jazz |
| Year
Performed: 1931 |
| Performer:
Louis Armstrong |
| Source:
Red Hot Jazz |
|
| I Hate Men |
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| Type:
Broadway |
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| Performer:
Kiss Me Kate |
| Source:
Raven's Real Audio |
|
| I Have Confidence |
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| Type:
Broadway |
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| Performer:
Sound of Music |
| Source:
Raven's Real Audio |
|
| I Left My Heart at the Stage Door Canteen |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Kenny Baker |
| Source:
Authentic History |
|
| I Loved You Once in Silence |
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| Type:
Broadway |
| Year
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| Performer:
Camelot |
| Source:
Raven's Real Audio |
|
| I Met Him on a Sunday |
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| Type:
1950s |
| Year
Performed: |
| Performer:
Shirelles |
| Source:
Formation of Modern American Culture |
|
| I Never Will Marry |
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| Type:
Hillbilly |
| Year
Performed: 1938 |
| Performer:
Carter Family |
| Source:
Honkingduck |
|
| I Remember It Well |
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| Type:
Broadway |
| Year
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| Performer:
Gigi |
| Source:
Raven's Real Audio |
|
| I Want Jesus to Walk With Me |
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| Type:
Spirituals |
| Year
Performed: |
| Performer:
JoAnne Stephenson |
| Source:
Negrospirituals.com |
|
| I Want to be Bad |
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| Type:
Jazz |
| Year
Performed: 1929 |
| Performer:
California Ramblers |
| Source:
Red Hot Jazz |
|
| I Want to Be Loved by You |
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| Type:
1920s |
| Year
Performed: 1928 |
| Performer:
Broadway Nitelights |
| Source:
Big Band's Database Plus |
|
| I Want to Be Loved by You |
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| Type:
1920s |
| Year
Performed: 1928 |
| Performer:
Helen Kane |
| Source:
Big Band's Database Plus |
|
| I Want to Hear a Yankee Doodle Tune |
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| Type:
Early 1900s |
| Year
Performed: 1911 |
| Performer:
George M. Cohan |
| Source:
Authentic History |
|
| I Wish I Could Hide Inside this Letter |
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| Type:
World War II |
| Year
Performed: 1943 |
| Performer:
Lawrence Welk |
| Source:
World War II Songs, Syracuse University |
|
| I Wish I Were in Love Again (1937) |
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| Type:
Richard Rodgers |
| Year
Performed: |
| Performer:
Rodgers and Hart |
| Source:
NPR |
|
| I Wonder What the King is Doing Tonight |
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| Type:
Broadway |
| Year
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| Performer:
Camelot |
| Source:
Raven's Real Audio |
|
| I'd Do Anything |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Oliver |
| Source:
Raven's Real Audio |
|
| If Ever I Would Leave You |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Camelot |
| Source:
Raven's Real Audio |
|
| If I Have My Ticket, Can I Ride |
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| Type:
Spiritual |
| Year
Performed: |
| Performer:
Sam McClain |
| Source:
PBS |
|
| If I Loved You |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Carousel |
| Source:
Raven's Real Audio |
|
| If I Loved You (1945) |
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| Type:
Richard Rodgers |
| Year
Performed: |
| Performer:
Carousel |
| Source:
NPR |
|
| If I Were a Rich Man |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Fiddler on the Roof |
| Source:
Raven's Real Audio |
|
| If My Friends Could See Me Now |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Sweet Charity |
| Source:
Raven's Real Audio |
|
| I'll Take You Home Again Kathleen |
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| Type:
Postbellum |
| Year
Performed: 1998 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| I'm Afraid to Come Home in the Dark |
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| Type:
Early 1900s |
| Year
Performed: 1907 |
| Performer:
Billy Murray |
| Source:
Authentic History |
|
| I'm an Ordinary Man |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
My Fair Lady |
| Source:
Raven's Real Audio |
|
| I'm Forever Blowing Bubbles |
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| Type:
1920s |
| Year
Performed: 1920 |
| Performer:
Original Dixieland Jazz Band |
| Source:
Big Band's Database Plus |
|
| I'm Free, Single, Disengaged |
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| Type:
Jazz |
| Year
Performed: 1921 |
| Performer:
Mamie Smith |
| Source:
Red Hot Jazz |
|
| I'm Getting Sentimental Over You |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Glenn Miller |
| Source:
Marshall Stelzriede's Wartime Story |
|
| I'm Getting Tired So I Can Sleep |
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| Type:
World War II |
| Year
Performed: 1942 |
| Performer:
Pvt. Stuart Churchill |
| Source:
World War II Songs, Syracuse University |
|
| I'm Gonna Wash that Man Out of My Hair |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
South Pacific |
| Source:
Raven's Real Audio |
|
| I'm Gonna Wash That Man Right Out of My Hair |
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| Type:
Richard Rodgers |
| Year
Performed: |
| Performer:
South Pacific |
| Source:
NPR |
|
| I'm in Love with a Wonderful Guy |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
South Pacific |
| Source:
Raven's Real Audio |
|
| I'm In the Army Now |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Frank Luther |
| Source:
Authentic History |
|
| I'm in the Mood for Love |
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| Type:
Jazz |
| Year
Performed: 1935 |
| Performer:
Louis Armstrong |
| Source:
Red Hot Jazz |
|
| I'm On My Journey Home |
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| Type:
Sacred Harp |
| Year
Performed: |
| Performer:
Sarah Lancaster |
| Source:
Sacred Harp Singing, University of Mississippi |
|
| I'm Reviewing the Situation |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Oliver |
| Source:
Raven's Real Audio |
|
| I'm Troubled in Mind |
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| Type:
Spirituals |
| Year
Performed: |
| Performer:
Spiritual Workshop Paris |
| Source:
Negrospirituals.com |
|
| Impossible Dream |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Man of La Mancha |
| Source:
Raven's Real Audio |
|
| In the Good Old Summertime |
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| Type:
Hillbilly |
| Year
Performed: 1928 |
| Performer:
Leake County Revelers |
| Source:
Honkingduck |
|
| In the House Blues |
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| Type:
Urban Blues |
| Year
Performed: 1931 |
| Performer:
Bessie Smith |
| Source:
Catherine Lavender |
|
| In the Mississippi River |
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| Type:
Civil Rights |
| Year
Performed: |
| Performer:
|
| Source:
Formation of Modern American Culture |
|
| In the Mood |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Glenn Miller |
| Source:
Marshall Stelzriede's Wartime Story |
|
| Indiana Polka |
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| Type:
Antebellum |
| Year
Performed: 1974 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| Introduction to Corrido del Tiradito |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
Hector Vega |
| Source:
Music of the Southwest, University of Arizona |
|
| Introduction to El Corrido de Cornelio Vega |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
(Tony) Federico y Grupo Cristo Rey |
| Source:
Music of the Southwest, University of Arizona |
|
| Introduction to Señor Migra |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
Jack Baker |
| Source:
Music of the Southwest, University of Arizona |
|
| Introduction to The Blonde Texan Woman |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
|
| Source:
Music of the Southwest, University of Arizona |
|
| Isn't It Romantic? (1932) |
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| Type:
Richard Rodgers |
| Year
Performed: |
| Performer:
Rodgers and Hart |
| Source:
NPR |
|
| It Ain't Gonna Rain No' Mo' |
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| Type:
Hillbilly |
| Year
Performed: 1924 |
| Performer:
Fiddlin' John Carson |
| Source:
Honkingduck |
|
| It Ain't Gonna Rain No' Mo' |
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| Type:
Hillbilly |
| Year
Performed: 1929 |
| Performer:
Skillet Lickers |
| Source:
Honkingduck |
|
| It Couldn't Please Me More |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Cabaret |
| Source:
Raven's Real Audio |
|
| It Don't Mean a Thing |
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| Type:
Depression |
| Year
Performed: 1932 |
| Performer:
Duke Ellington |
| Source:
Authentic History |
|
| It Don't Mean a Thing |
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| Type:
Jazz |
| Year
Performed: 1932 |
| Performer:
Duke Ellington |
| Source:
Red Hot Jazz |
|
| It Had to Be You |
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| Type:
Jazz |
| Year
Performed: 1924 |
| Performer:
Isham Jones |
| Source:
Red Hot Jazz |
|
| It Had to be You |
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| Type:
Jazz |
| Year
Performed: 1924 |
| Performer:
Golden Gate Orchestra |
| Source:
Red Hot Jazz |
|
| It Happened One Night |
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| Type:
Mercury Theater |
| Year
Performed: 1940 |
| Performer:
Campbell Playhouse |
| Source:
Mercury Theater on the Air |
|
| It's Easy to Remember (1935) |
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| Type:
Richard Rodgers |
| Year
Performed: |
| Performer:
Rodgers and Hart |
| Source:
NPR |
|
| It's Up to You to Move |
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| Type:
Early 1900s |
| Year
Performed: 1905 |
| Performer:
Collins and Harlan |
| Source:
Authentic History |
|
| I've Been Drafted Now I'm Drafting You |
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| Type:
World War II |
| Year
Performed: 1941 |
| Performer:
Kay Keyser |
| Source:
World War II Songs, Syracuse University |
|
| I've Grown Accustomed to Her Face |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
My Fair Lady |
| Source:
Raven's Real Audio |
|
| Jailhouse Rock |
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| Type:
1950s |
| Year
Performed: |
| Performer:
Elvis Presley |
| Source:
Formation of Modern American Culture |
|
| Jeepers Creepers |
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| Type:
Jazz |
| Year
Performed: 1939 |
| Performer:
Louis Armstrong |
| Source:
Red Hot Jazz |
|
| Jesus Hits Like an Atom Bomb |
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| Type:
Atom Bomb |
| Year
Performed: 1950 |
| Performer:
Lowell Blanchard with the Valley Trio |
| Source:
Authentic History |
|
| Jets |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
West Side Story |
| Source:
Raven's Real Audio |
|
| Jewish Wedding Song |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Thoroughly Modern Millie |
| Source:
Raven's Real Audio |
|
| Joe Hill |
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| Type:
Labor |
| Year
Performed: |
| Performer:
Pete Seeger |
| Source:
Formation of Modern American Culture |
|
| John T. Scopes Trial |
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| Type:
1920s |
| Year
Performed: 1925 |
| Performer:
Vernon Dalhart |
| Source:
Authentic History |
|
| John the Revelator |
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| Type:
1930s |
| Year
Performed: |
| Performer:
Blind Willie Johnson |
| Source:
Manufacturing Memory, University of Virginia |
|
| Johnny B. Goode |
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| Type:
1950s |
| Year
Performed: |
| Performer:
Chuck Berry |
| Source:
Formation of Modern American Culture |
|
| Joltin' Joe DiMaggio |
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| Type:
World War II |
| Year
Performed: |
| Performer:
|
| Source:
Authentic History |
|
| Julia! Julia! (Ranchera) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1952 |
| Performer:
Delia Gutiérrez and Laura Hernandez |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Just Before the Battle Mother |
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| Type:
Civil War |
| Year
Performed: |
| Performer:
John Young |
| Source:
Authentic History |
|
| Just You Wait |
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| Type:
Broadway |
| Year
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| Performer:
My Fair Lady |
| Source:
Raven's Real Audio |
|
| Kansas City |
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| Type:
Broadway |
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| Performer:
Oklahoma |
| Source:
Raven's Real Audio |
|
| Kedo |
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| Type:
African Griot Music |
| Year
Performed: 1974 |
| Performer:
Jali Nyama Suso |
| Source:
Catherine Lavender |
|
| Keep 'Em Flying |
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| Type:
World War II |
| Year
Performed: |
| Performer:
|
| Source:
Authentic History |
|
| Kids |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Bye Bye Birdie |
| Source:
Raven's Real Audio |
|
| King of Peace |
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| Type:
Sacred Harp |
| Year
Performed: |
| Performer:
F. Price |
| Source:
Sacred Harp Singing, University of Mississippi |
|
| La Casada (Ranchera) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1960 |
| Performer:
Hermanas Guerrero |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| La cascada (Mazurka) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1935 |
| Performer:
Bruno Villareal |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| La Chulada (Polka) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1953 |
| Performer:
Narciso Martinez |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| La Complicada [Polka] |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1956 |
| Performer:
Los Caminantes |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| La Cucharacha |
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| Type:
Jazz |
| Year
Performed: 1935 |
| Performer:
Louis Armstrong |
| Source:
Red Hot Jazz |
|
| La Desvelada (Polka) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1959 |
| Performer:
Narciso Martinez |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| La Fontaine |
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| Type:
Antebellum |
| Year
Performed: 1974 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| La Gardenia (Polka) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1939 |
| Performer:
Lolo Cavazos |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| La Hiedra (DanzĂłn) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1960 |
| Performer:
Isidro Lopez |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| La nopalera (Polka) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1938 |
| Performer:
Santiago Jimenez |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| La Novia Antonia (Rock) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1957 |
| Performer:
Conjunto Bernal |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| La Petacona (Polka) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1937 |
| Performer:
Jose Rodriguez |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| La Que Sea (Ranchera) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1955 |
| Performer:
Hermanas CantĂş |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Lalapaluza Lu |
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| Type:
World War II |
| Year
Performed: 1942 |
| Performer:
Sammy Kaye |
| Source:
World War II Songs, Syracuse University |
|
| Las Delicias (Polka) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1947 |
| Performer:
Beto Villa |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Las gĂĽeras de Califa |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1950 |
| Performer:
Los Chavalitos |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Las Tristezas de Ramon |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
|
| Source:
Music of the Southwest, University of Arizona |
|
| Last Blue Yodel |
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| Type:
Hillbilly |
| Year
Performed: 1933 |
| Performer:
Jimmie Rodgers |
| Source:
Honkingduck |
|
| Last Roundup |
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| Type:
1930s |
| Year
Performed: |
| Performer:
George Olsen |
| Source:
Manufacturing Memory, University of Virginia |
|
| Lay Down Body |
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| Type:
Spiritual |
| Year
Performed: 1960 |
| Performer:
Bertha Smith |
| Source:
Authentic History |
|
| Lay Down Body (Excerpt) |
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| Type:
Spiritual |
| Year
Performed: |
| Performer:
Bertha Smith |
| Source:
T.W. Higginson's Negro Spirituals, U. Virginia |
|
| Let Me Entertain You |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Gypsy |
| Source:
Raven's Real Audio |
|
| Let's Do It, Let's Fall in Love (Cole Porter) |
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| Type:
World War II |
| Year
Performed: 1928 |
| Performer:
Irving Aaronson |
| Source:
Red Hot Jazz |
|
| Let's Misbehave (Cole Porter) |
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| Type:
World War II |
| Year
Performed: 1928 |
| Performer:
Irving Aaronson |
| Source:
Red Hot Jazz |
|
| Let's Put the Axe to the Axis |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Abe Lyman |
| Source:
Marshall Stelzriede's Wartime Story |
|
| Lift Every Voice and Sing |
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| Type:
African American |
| Year
Performed: |
| Performer:
James Rosamond Johnson |
| Source:
Formation of Modern American Culture |
|
| Light My Candle |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Rent |
| Source:
Raven's Real Audio |
|
| Lilly Bell Quickstep |
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| Type:
Antebellum |
| Year
Performed: 1974 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| Lindbergh American Eagle USA |
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| Type:
1920s |
| Year
Performed: 1927 |
| Performer:
Vernon Dalhart |
| Source:
Authentic History |
|
| Lindbergh The Eagle of the USA |
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| Type:
1920s |
| Year
Performed: 1927 |
| Performer:
Vernon Dalhart |
| Source:
Dismuke's Virtual Talking Machine |
|
| Lindy |
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| Type:
Hillbilly |
| Year
Performed: 1930 |
| Performer:
Proximity String Quartet |
| Source:
Honkingduck |
|
| Little Bessie |
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| Type:
Postbellum |
| Year
Performed: 1998 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| Little Bo Peep Has Lost Her Jeep |
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| Type:
World War II |
| Year
Performed: 1942 |
| Performer:
Horace Heidt |
| Source:
World War II Songs, Syracuse University |
|
| Little Brown Jug |
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| Type:
Hillbilly |
| Year
Performed: 1924 |
| Performer:
Henry Whitter |
| Source:
Honkingduck |
|
| Little David, Play Your Harp |
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| Type:
Spiritual |
| Year
Performed: 1953 |
| Performer:
Brother Claude Ely |
| Source:
Authentic History |
|
| Livery Stable Blues |
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| Type:
Jazz |
| Year
Performed: 1917 |
| Performer:
W.C. Handy |
| Source:
Big Band's Database Plus |
|
| Long Tall Sally |
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| Type:
1950s |
| Year
Performed: |
| Performer:
Little Richard |
| Source:
Formation of Modern American Culture |
|
| Long Tall Sally |
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| Type:
1950s |
| Year
Performed: |
| Performer:
Pat Boone |
| Source:
Formation of Modern American Culture |
|
| Look at Me I'm Sandra Dee |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Grease |
| Source:
Raven's Real Audio |
|
| Los Comentaristas (Polka) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1953 |
| Performer:
Pedro Bugarin |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Lot of Living to Do |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Bye Bye Birdie |
| Source:
Raven's Real Audio |
|
| Love Will Find a Way |
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| Type:
Jazz |
| Year
Performed: 1921 |
| Performer:
Noble Sissle |
| Source:
Red Hot Jazz |
|
| Luck Be a Lady |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Guys and Dolls |
| Source:
Raven's Real Audio |
|
| Lucky Lindy |
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| Type:
1920s |
| Year
Performed: 1927 |
| Performer:
Vernon Dalhart |
| Source:
Authentic History |
|
| Lullaby of Broadway |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
42nd Street |
| Source:
Raven's Real Audio |
|
| Lusty Month of May |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Camelot |
| Source:
Raven's Real Audio |
|
| Ma! I Miss Your Apple Pie |
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| Type:
World War II |
| Year
Performed: 1941 |
| Performer:
Guy Lombardo |
| Source:
World War II Songs, Syracuse University |
|
| Magnificent Ambersons |
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| Type:
Mercury Theater |
| Year
Performed: 1939 |
| Performer:
Campbell Playhouse |
| Source:
Mercury Theater on the Air |
|
| Makin' Whoopee |
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| Type:
1920s |
| Year
Performed: 1828 |
| Performer:
Eddie Cantor |
| Source:
Authentic History |
|
| Mala Cara [Rock-Ranchera] |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1958 |
| Performer:
Isidro Lopez |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Malagradecida (Ranchera) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1953 |
| Performer:
Gonzáles & Cantú |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Mama Whip! Mama Spank! |
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| Type:
Jazz |
| Year
Performed: 1921 |
| Performer:
Mamie Smith |
| Source:
Red Hot Jazz |
|
| Mambo |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
West Side Story |
| Source:
Raven's Real Audio |
|
| Mambo No. 7 |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1950 |
| Performer:
Beto Villa |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Manhattan |
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| Type:
Jazz |
| Year
Performed: 1925 |
| Performer:
Golden Gate Orchestra |
| Source:
Red Hot Jazz |
|
| Manhattan (1925) |
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| Type:
Richard Rodgers |
| Year
Performed: |
| Performer:
Rodgers and Hart |
| Source:
NPR |
|
| Many a New Day |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Oklahoma |
| Source:
Raven's Real Audio |
|
| Maple Leaf Rag |
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| Type:
Ragtime |
| Year
Performed: 1916 |
| Performer:
Scott Joplin |
| Source:
Catherine Lavender |
|
| Marching Through Georgia |
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| Type:
Civil War |
| Year
Performed: |
| Performer:
Harlan and Stanley |
| Source:
Authentic History |
|
| Maria |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
West Side Story |
| Source:
Raven's Real Audio |
|
| Maria Christina (mazurka) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1938 |
| Performer:
El Ciego Melquiades |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Marian the Librarian |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Music Man |
| Source:
Raven's Real Audio |
|
| Maryland, My Maryland |
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| Type:
Civil War |
| Year
Performed: |
| Performer:
Herbert Stuart |
| Source:
Authentic History |
|
| Matchmaker Matchmaker |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Fiddler on the Roof |
| Source:
Raven's Real Audio |
|
| Maybe This Time |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Cabaret |
| Source:
Raven's Real Audio |
|
| Maybelline |
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| Type:
1950s |
| Year
Performed: |
| Performer:
Chuck Berry |
| Source:
Formation of Modern American Culture |
|
| Mean Low Blues |
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| Type:
Depression |
| Year
Performed: 1929 |
| Performer:
Blues Birdhead |
| Source:
Authentic History |
|
| Medley Of Old Time Dance Tunes Part 1 |
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| Type:
Hillbilly |
| Year
Performed: 1928 |
| Performer:
Crockett Family Mountaineers |
| Source:
Honkingduck |
|
| Medley Of Old Time Dance Tunes Part 2 |
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| Type:
Hillbilly |
| Year
Performed: 1928 |
| Performer:
Crockett Family Mountaineers |
| Source:
Honkingduck |
|
| Mein Herr |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Cabaret |
| Source:
Raven's Real Audio |
|
| Mi Dolorcito [Boogie] |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1954 |
| Performer:
Conjunto San Antonio Alegre |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Mi fracaso (Bolero) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1950 |
| Performer:
Rosita Fernandez |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Minnie the Moocher |
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| Type:
1930s |
| Year
Performed: |
| Performer:
Cab Calloway |
| Source:
Manufacturing Memory, University of Virginia |
|
| Money Money |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Cabaret |
| Source:
Raven's Real Audio |
|
| Monterrey (Polka) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1949 |
| Performer:
Beto Villa |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Mood Indigo |
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| Type:
Jazz |
| Year
Performed: 1930 |
| Performer:
Duke Ellington |
| Source:
Red Hot Jazz |
|
| Moonbeam Waltzes |
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| Type:
Antebellum |
| Year
Performed: 1974 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| Moonlight Serenade |
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| Type:
World War II |
| Year
Performed: |
| Performer:
|
| Source:
Marshall Stelzriede's Wartime Story |
|
| Moonlight Serenade |
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| Type:
1930s |
| Year
Performed: |
| Performer:
Glenn Miller |
| Source:
Manufacturing Memory, University of Virginia |
|
| Mountain Greenery (1947) |
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| Type:
Richard Rodgers |
| Year
Performed: |
| Performer:
Allegro |
| Source:
NPR |
|
| Mr. Deeds Goes to Town |
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| Type:
Mercury Theater |
| Year
Performed: 1940 |
| Performer:
Campbell Playhouse |
| Source:
Mercury Theater on the Air |
|
| Mr. Marriccia Take a Steamboat Melody |
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| Type:
Early 1900s |
| Year
Performed: 1908 |
| Performer:
Edison Military Band |
| Source:
Authentic History |
|
| Mulatica |
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| Type:
1930s |
| Year
Performed: |
| Performer:
Johnny Rodriguez |
| Source:
Manufacturing Memory, University of Virginia |
|
| Muscle Shoals Blues |
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| Type:
Jazz |
| Year
Performed: 1922 |
| Performer:
W.C. Handy |
| Source:
Red Hot Jazz |
|
| Music Goes Round and Round |
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| Type:
1930s |
| Year
Performed: |
| Performer:
Tommy Dorsey |
| Source:
Manufacturing Memory, University of Virginia |
|
| Mussolini's Letter to Hitler |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Carson Robison |
| Source:
Authentic History |
|
| My Defenses Are Down |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Annie Get Your Gun |
| Source:
Raven's Real Audio |
|
| My Eye is on the Sparrow |
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| Type:
Spirituals |
| Year
Performed: |
| Performer:
|
| Source:
Negrospirituals.com |
|
| My Favorite Things |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Sound of Music |
| Source:
Raven's Real Audio |
|
| My Funny Valentine |
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| Type:
Richard Rodgers |
| Year
Performed: |
| Performer:
Rodgers and Hart |
| Source:
NPR |
|
| My Gal Sal |
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| Type:
Jazz |
| Year
Performed: 1927 |
| Performer:
Miff Mole |
| Source:
Red Hot Jazz |
|
| My Mammy |
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| Type:
Jazz |
| Year
Performed: 1921 |
| Performer:
Isham Jones |
| Source:
Red Hot Jazz |
|
| My Maryland March |
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| Type:
Civil War |
| Year
Performed: |
| Performer:
|
| Source:
Authentic History |
|
| My Rough and Rowdy Ways |
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| Type:
Hillbilly |
| Year
Performed: 1929 |
| Performer:
Jimmie Rodgers |
| Source:
Honkingduck |
|
| My Soul Will Be Saved |
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| Type:
Gospel |
| Year
Performed: 1954 |
| Performer:
Ethel Perkins and Equila Hall |
| Source:
Catherine Lavender |
|
| My Sweetie Went Away |
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| Type:
Jazz |
| Year
Performed: 1923 |
| Performer:
Bessie Smith |
| Source:
Red Hot Jazz |
|
| Never No Mo' Blues |
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| Type:
Hillbilly |
| Year
Performed: 1928 |
| Performer:
Jimmie Rodgers |
| Source:
Honkingduck |
|
| New York New York |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Wonderful Town |
| Source:
Raven's Real Audio |
|
| Night and Day |
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| Type:
1930s |
| Year
Performed: |
| Performer:
Fred Astaire |
| Source:
Manufacturing Memory, University of Virginia |
|
| Night They Invented Champagne |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Gigi |
| Source:
Raven's Real Audio |
|
| No Love, No Nothin' |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Patti Dugan and Johnny Long and His Orchestra |
| Source:
Authentic History |
|
| No Quiero Esperar (Bolero) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1950 |
| Performer:
Hermanas Segovia |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| No Te Preocupes por MĂ (Bolero) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1952 |
| Performer:
Balde Gonzalez |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Nobody Knows You When You're Down and Out |
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| Type:
Urban Blues |
| Year
Performed: 1929 |
| Performer:
Bessie Smith |
| Source:
Catherine Lavender |
|
| Nobody Turn Me Around |
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| Type:
Civil Rights |
| Year
Performed: |
| Performer:
|
| Source:
Formation of Modern American Culture |
|
| North Salem |
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| Type:
Sacred Harp |
| Year
Performed: |
| Performer:
Stephen Jenks |
| Source:
Sacred Harp Singing, University of Mississippi |
|
| Notre Dame Victory March |
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| Type:
1920s |
| Year
Performed: |
| Performer:
Seeburg Coin Piano |
| Source:
Authentic History |
|
| NRA Blues |
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| Type:
Depression |
| Year
Performed: 1933 |
| Performer:
Bill Cox |
| Source:
Authentic History |
|
| O Summer Night from Don Pasquale |
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| Type:
Antebellum |
| Year
Performed: 1974 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| Obey Your Air Warden |
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| Type:
World War II |
| Year
Performed: |
| Performer:
|
| Source:
Authentic History |
|
| Off to War I'm Going |
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| Type:
Hillbilly |
| Year
Performed: 1928 |
| Performer:
Carolina Twins |
| Source:
Honkingduck |
|
| Officer Krupke |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
West Side Story |
| Source:
Raven's Real Audio |
|
| Oh Freedom |
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| Type:
Civil Rights |
| Year
Performed: |
| Performer:
Hollis Watkins |
| Source:
Formation of Modern American Culture |
|
| Oh What a Beautiful Morning |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Oklahoma |
| Source:
Raven's Real Audio |
|
| Oh! Dem Golden Slippers |
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| Type:
Early 1900s |
| Year
Performed: 1916 |
| Performer:
Harry C. Browne |
| Source:
Authentic History |
|
| Oh, Dem Golden Slippers |
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| Type:
Postbellum |
| Year
Performed: 1998 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| Oh, What a Beautiful Mornin (1943) |
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| Type:
Richard Rodgers |
| Year
Performed: |
| Performer:
Oklahoma |
| Source:
NPR |
|
| Ohio |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Wonderful Town |
| Source:
Raven's Real Audio |
|
| Oklahoma |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Oklahoma |
| Source:
Raven's Real Audio |
|
| Oklahoma (1943) |
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| Type:
Richard Rodgers |
| Year
Performed: |
| Performer:
Oklahoma |
| Source:
NPR |
|
| Ol' Man River |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Showboat |
| Source:
Raven's Real Audio |
|
| Old Gray Mare |
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| Type:
Hillbilly |
| Year
Performed: 1927 |
| Performer:
Skillet Lickers |
| Source:
Honkingduck |
|
| Old Man Atom |
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| Type:
Atom Bomb |
| Year
Performed: 1947 |
| Performer:
Sons of the Pioneers |
| Source:
Authentic History |
|
| Old Memories |
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| Type:
Antebellum |
| Year
Performed: 1974 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| On the Old Assembly Line |
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| Type:
World War II |
| Year
Performed: 1942 |
| Performer:
Glenn Miller |
| Source:
World War II Songs, Syracuse University |
|
| On the Street Where You Live |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
My Fair Lady |
| Source:
Raven's Real Audio |
|
| On the Sunny Side of the Street |
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| Type:
Jazz |
| Year
Performed: 1937 |
| Performer:
Louis Armstrong |
| Source:
Red Hot Jazz |
|
| On the Sunny Side of the Street |
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| Type:
Depression |
| Year
Performed: 1937 |
| Performer:
Louis Armstrong |
| Source:
Dismuke's Virtual Talking Machine |
|
| One |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Chorus Line |
| Source:
Raven's Real Audio |
|
| One Hand, One Heart |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
West Side Story |
| Source:
Raven's Real Audio |
|
| One Hundred Easy Ways |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Wonderful Town |
| Source:
Raven's Real Audio |
|
| Only Angels Have Wings |
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| Type:
Mercury Theater |
| Year
Performed: 1940 |
| Performer:
Campbell Playhouse |
| Source:
Mercury Theater on the Air |
|
| Oom Pah Pah |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Oliver |
| Source:
Raven's Real Audio |
|
| Original Charleston |
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| Type:
Jazz |
| Year
Performed: 1925 |
| Performer:
Isham Jones |
| Source:
Red Hot Jazz |
|
| Our Town |
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| Type:
Mercury Theater |
| Year
Performed: 1939 |
| Performer:
Campbell Playhouse |
| Source:
Mercury Theater on the Air |
|
| Over the Rainbow |
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| Type:
1930s |
| Year
Performed: |
| Performer:
Judy Garland |
| Source:
Manufacturing Memory, University of Virginia |
|
| Overture |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
How to Succeed in Business |
| Source:
Raven's Real Audio |
|
| Overture and Audition |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
42nd Steet |
| Source:
Raven's Real Audio |
|
| Overture/Rock Island Long |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Music Man |
| Source:
Raven's Real Audio |
|
| Pablo del Monte |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
|
| Source:
Music of the Southwest, University of Arizona |
|
| Pachuca Blues (Blues) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1950 |
| Performer:
Beto Villa's Orchestra |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Para La Ciudad |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
Lalo Robles and his orchestra |
| Source:
Music of the Southwest, University of Arizona |
|
| Paris Original |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
How to Succeed |
| Source:
Raven's Real Audio |
|
| Pearl Harbor Blues |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Doctor Clayton |
| Source:
Authentic History |
|
| People Will Say We're In Love |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Oklahoma |
| Source:
Raven's Real Audio |
|
| Perdon Mujer (Ranchera) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1948 |
| Performer:
Las Abajeñas |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Perfectly Marvelous |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Cabaret |
| Source:
Raven's Real Audio |
|
| Pistol Packin' Mama |
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| Type:
World War II |
| Year
Performed: 1943 |
| Performer:
Don Redmond |
| Source:
Authentic History |
|
| Praise the Lord and Pass the Ammunition |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Kay Kyser |
| Source:
Authentic History |
|
| Present Joys |
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| Type:
Sacred Harp |
| Year
Performed: |
| Performer:
A.M. Cagle |
| Source:
Sacred Harp Singing, University of Mississippi |
|
| Present Joys |
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| Type:
Sacred Harp |
| Year
Performed: 1928 |
| Performer:
Alabama Sacred Harp Singers |
| Source:
Honkingduck |
|
| Pretty Boy Floyd |
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| Type:
Hillbilly |
| Year
Performed: 1934 |
| Performer:
Ray Whitley |
| Source:
Honkingduck |
|
| Pretty Boy Floyd |
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| Type:
Depression |
| Year
Performed: |
| Performer:
|
| Source:
Formation of Modern American Culture |
|
| Punch! Brothers Punch |
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| Type:
Postbellum |
| Year
Performed: 1998 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| Put on a Happy Face |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Bye Bye Birdie |
| Source:
Raven's Real Audio |
|
| Puttin' On the Ritz |
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| Type:
1920s |
| Year
Performed: 1930 |
| Performer:
Fred Astaire |
| Source:
Authentic History |
|
| Puttin' on the Ritz |
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| Type:
1930s |
| Year
Performed: |
| Performer:
Fred Astaire |
| Source:
Manufacturing Memory, University of Virginia |
|
| Puzzlement |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
King and I |
| Source:
Raven's Real Audio |
|
| Que Mi Novia Si Sabe Como Se Baila La Cumbia |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
Lalo Robles and his orchestra |
| Source:
Music of the Southwest, University of Arizona |
|
| Rain in Spain |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
My Fair Lady |
| Source:
Raven's Real Audio |
|
| Reborn Again (Excerpt) |
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| Type:
Spiritual |
| Year
Performed: |
| Performer:
Benjamin Blingen |
| Source:
T.W. Higginson's Negro Spirituals, U. Virginia |
|
| Recitation of Corrido de Vietnam |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
Rafael GarcĂa Monge |
| Source:
Music of the Southwest, University of Arizona |
|
| Red Foley |
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| Type:
World War II |
| Year
Performed: |
| Performer:
|
| Source:
Marshall Stelzriede's Wartime Story |
|
| Religion is a Fortune |
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| Type:
Sacred Harp |
| Year
Performed: 1929 |
| Performer:
Alabama Sacred Harp Singers |
| Source:
Honkingduck |
|
| Remember Hawaii |
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| Type:
World War II |
| Year
Performed: 1941 |
| Performer:
Bing Crosby |
| Source:
World War II Songs, Syracuse University |
|
| Remember Pearl Harbor |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Sammy Kaye |
| Source:
Marshall Stelzriede's Wartime Story |
|
| Remember Pearl Harbor |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Carson Robison |
| Source:
Authentic History |
|
| Rescue the Perishing |
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| Type:
Postbellum |
| Year
Performed: 1998 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| R-E-S-P-E-C-T |
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| Type:
1960s |
| Year
Performed: |
| Performer:
Aretha Franklin |
| Source:
Formation of Modern American Culture |
|
| Rhapsody in Blue |
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| Type:
George Gershwin |
| Year
Performed: |
| Performer:
George Gershwin |
| Source:
Minnesota Public Radio |
|
| Rocky Road |
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| Type:
Sacred Harp |
| Year
Performed: 1928 |
| Performer:
Alabama Sacred Harp Singers |
| Source:
Honkingduck |
|
| Roki |
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| Type:
Country Blues |
| Year
Performed: |
| Performer:
Corey Harris |
| Source:
NPR |
|
| Rosemary |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
How to Succeed |
| Source:
Raven's Real Audio |
|
| Rosie the Riveter |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Redd Evans and John Jacob |
| Source:
Authentic History |
|
| Rosita vals |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1949 |
| Performer:
Narciso Martinez |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Row, Michael, Row (Excerpt) |
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| Type:
Spiritual |
| Year
Performed: |
| Performer:
Jane Hunter |
| Source:
T.W. Higginson's Negro Spirituals, U. Virginia |
|
| Saga of the Sad Sack |
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| Type:
World War II |
| Year
Performed: 1945 |
| Performer:
Jules Munshin |
| Source:
World War II Songs, Syracuse University |
|
| Sandy |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Grease |
| Source:
Raven's Real Audio |
|
| Santa Claus Hides in Your Phonograph |
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| Type:
1920s |
| Year
Performed: 1922 |
| Performer:
Harry E. Humphrey |
| Source:
Authentic History |
|
| Satellite Baby |
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| Type:
Sputnik |
| Year
Performed: 1957 |
| Performer:
Skip Stanley |
| Source:
Authentic History |
|
| Saturday Morning Ballet |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
How to Succeed |
| Source:
Raven's Real Audio |
|
| Say Amen, Somebody |
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| Type:
Thomas A. Dorsey |
| Year
Performed: |
| Performer:
Thomas A. Dorsey |
| Source:
NPR |
|
| Say It Loud |
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| Type:
1960s |
| Year
Performed: |
| Performer:
James Brown |
| Source:
Formation of Modern American Culture |
|
| Scene in a Country Store |
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| Type:
Early 1900s |
| Year
Performed: 1905 |
| Performer:
Collins and Harlan |
| Source:
Authentic History |
|
| School Days |
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| Type:
1950s |
| Year
Performed: |
| Performer:
Chuck Berry |
| Source:
Formation of Modern American Culture |
|
| Scots Wha Hae: Variations |
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| Type:
Antebellum |
| Year
Performed: 1974 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| Scrap Your Fat |
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| Type:
World War II |
| Year
Performed: |
| Performer:
|
| Source:
Authentic History |
|
| Se Me Fue Mi Amor (CanciĂłn) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1945 |
| Performer:
Carmen and Laura |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Seasons of Love |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Rent |
| Source:
Raven's Real Audio |
|
| Second Hand Rose |
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| Type:
1920s |
| Year
Performed: 1920 |
| Performer:
Van Eps Trio |
| Source:
Big Band's Database Plus |
|
| Second introduction to El Mojado Mafioso |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
|
| Source:
Music of the Southwest, University of Arizona |
|
| Secretary is Not a Toy |
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| Type:
Broadway |
| Year
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| Performer:
How to Succeed in Business |
| Source:
Raven's Real Audio |
|
| See That My Grave is Kept Green |
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| Type:
Postbellum |
| Year
Performed: 1998 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| Señor Migra |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
Jack Baker |
| Source:
Music of the Southwest, University of Arizona |
|
| Serenade in Blue |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Glenn Miller |
| Source:
Marshall Stelzriede's Wartime Story |
|
| Seven Deadly Sins |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Camelot |
| Source:
Raven's Real Audio |
|
| Seventeen |
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| Type:
Mercury Theater |
| Year
Performed: 1938 |
| Performer:
Mercury Theater |
| Source:
Mercury Theater on the Air |
|
| Sexy Sadie |
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| Type:
1960s |
| Year
Performed: |
| Performer:
Beatles |
| Source:
Formation of Modern American Culture |
|
| Shall I Tell You What I Think of You |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
King and I |
| Source:
Raven's Real Audio |
|
| Shall We Dance |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
King and I |
| Source:
Raven's Real Audio |
|
| Shall We Dance (1951) |
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| Type:
Richard Rodgers |
| Year
Performed: |
| Performer:
King and I |
| Source:
NPR |
|
| Sharpsburg |
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| Type:
Sacred Harp |
| Year
Performed: |
| Performer:
J.P. Reese and J.A. Shell |
| Source:
Sacred Harp Singing, University of Mississippi |
|
| She'll Be Coming Round the Mountain |
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| Type:
Hillbilly |
| Year
Performed: 1929 |
| Performer:
H. M. Barnes & His Blue Ridge Ramblers |
| Source:
Honkingduck |
|
| Shivering and Shaking Out in the Cold |
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| Type:
Postbellum |
| Year
Performed: 1998 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| Show Me |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
My Fair Lady |
| Source:
Raven's Real Audio |
|
| Shuffle Off to Buffalo |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
42nd Street |
| Source:
Raven's Real Audio |
|
| Si acaso vuelves (Bolero) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1957 |
| Performer:
Chelo Silva |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Si fue por eso (Bolero) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1954 |
| Performer:
Lydia Mendoza |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Side by Side |
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| Type:
1920s |
| Year
Performed: 1927 |
| Performer:
Paul Whiteman |
| Source:
Authentic History |
|
| Side by Side |
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| Type:
Jazz |
| Year
Performed: 1927 |
| Performer:
Cliff Edwards |
| Source:
Red Hot Jazz |
|
| Simple Joys of Maidenhood |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Camelot |
| Source:
Raven's Real Audio |
|
| Since Henry Ford Apologized to Me |
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| Type:
1920s |
| Year
Performed: 1926 |
| Performer:
Happiness Boys |
| Source:
Authentic History |
|
| Sing the Blues |
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| Type:
Jazz |
| Year
Performed: |
| Performer:
Louis Armstrong |
| Source:
Formation of Modern American Culture |
|
| Singin in the Rain |
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| Type:
1920s |
| Year
Performed: 1929 |
| Performer:
Gus Arnheim |
| Source:
Dismuke's Virtual Talking Machine |
|
| Skip to My Lou |
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| Type:
Hillbilly |
| Year
Performed: 1931 |
| Performer:
Elnora Crockett |
| Source:
Honkingduck |
|
| Sleep Noble Hearts (Gettysburg 50th Anniv. Song) |
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| Type:
Civil War |
| Year
Performed: 1913 |
| Performer:
Lyric Quartette |
| Source:
Authentic History |
|
| Slow March: Midnight! |
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| Type:
Antebellum |
| Year
Performed: 1974 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| Smick, Smack, Smuck |
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| Type:
Postbellum |
| Year
Performed: 1998 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| Smile |
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| Type:
Jazz |
| Year
Performed: 1928 |
| Performer:
Hoagy Carmichael |
| Source:
Red Hot Jazz |
|
| Smoke Gets in Your Eyes |
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| Type:
Depression |
| Year
Performed: 1937 |
| Performer:
Tommy Dorsey |
| Source:
Dismuke's Virtual Talking Machine |
|
| So in Love |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Kiss Me Kate |
| Source:
Raven's Real Audio |
|
| So What |
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| Type:
Broadway |
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| Performer:
Cabaret |
| Source:
Raven's Real Audio |
|
| Solidarity Forever |
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| Type:
Labor |
| Year
Performed: |
| Performer:
|
| Source:
Formation of Modern American Culture |
|
| Soliloquy |
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| Type:
Broadway |
| Year
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| Performer:
Carousel |
| Source:
Raven's Real Audio |
|
| Some Enchanted Evening |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
South Pacific |
| Source:
Raven's Real Audio |
|
| Some Enchanted Evening (1949) |
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| Type:
Richard Rodgers |
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Performed: |
| Performer:
South Pacific |
| Source:
NPR |
|
| Some People |
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| Type:
Broadway |
| Year
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| Performer:
Gypsy |
| Source:
Raven's Real Audio |
|
| Something for the Boys (Cole Porter) |
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| Type:
World War II |
| Year
Performed: 1942 |
| Performer:
Paula Laurence |
| Source:
World War II Songs, Syracuse University |
|
| Something Wonderful |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
King and I |
| Source:
Raven's Real Audio |
|
| Something Wonderful (1951) |
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| Type:
Richard Rodgers |
| Year
Performed: |
| Performer:
King and I |
| Source:
NPR |
|
| Somewhere |
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| Type:
Broadway |
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| Performer:
West Side Story |
| Source:
Raven's Real Audio |
|
| Song of the King |
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| Type:
Broadway |
| Year
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| Performer:
King and I |
| Source:
Raven's Real Audio |
|
| Sonny Boy |
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| Type:
1920s |
| Year
Performed: 1928 |
| Performer:
Al Jolson |
| Source:
Authentic History |
|
| Soon I Will Be Done |
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| Type:
Spiritual |
| Year
Performed: 1963 |
| Performer:
Mahalia Jackson |
| Source:
Authentic History |
|
| Sophisticated Lady |
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| Type:
Jazz |
| Year
Performed: 1933 |
| Performer:
Duke Ellington |
| Source:
Red Hot Jazz |
|
| Sound of Music |
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| Type:
Broadway |
| Year
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| Performer:
Sound of Music |
| Source:
Raven's Real Audio |
|
| Sound of Music (1959) |
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| Type:
Richard Rodgers |
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Performed: |
| Performer:
Sound of Music |
| Source:
NPR |
|
| Spoonful |
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| Type:
Country Blues |
| Year
Performed: 1929 |
| Performer:
Charlie Patton |
| Source:
National Park Service |
|
| Springtime for Hitler |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Producers |
| Source:
Raven's Real Audio |
|
| Sputniks and Mutniks |
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| Type:
Sputnik |
| Year
Performed: 1958 |
| Performer:
Ray Anderson and the Homefolks |
| Source:
Authentic History |
|
| St. Louis Blues |
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| Type:
Jazz |
| Year
Performed: 1922 |
| Performer:
W.C. Handy |
| Source:
Red Hot Jazz |
|
| St. Louis Blues |
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| Type:
Depression |
| Year
Performed: 1930 |
| Performer:
Guy Lombardo |
| Source:
Dismuke's Virtual Talking Machine |
|
| St. Louis Blues |
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| Type:
Jazz |
| Year
Performed: 1922 |
| Performer:
W.C. Handy |
| Source:
Big Band's Database Plus |
|
| St. Louis Blues (W.C. Handy) |
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| Type:
Jazz |
| Year
Performed: 1929 |
| Performer:
Louis Armstrong |
| Source:
Red Hot Jazz |
|
| Stack O' Lee Blues |
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| Type:
Jazz |
| Year
Performed: 1925 |
| Performer:
Ma Rainey |
| Source:
Red Hot Jazz |
|
| Stalin Wasn't Stallin' |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Golden Gate Quartet |
| Source:
Authentic History |
|
| Star Dust |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Artie Shaw |
| Source:
Marshall Stelzriede's Wartime Story |
|
| Star Dust |
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| Type:
Jazz |
| Year
Performed: 1930 |
| Performer:
Isham Jones |
| Source:
Red Hot Jazz |
|
| Star Dust |
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| Type:
Jazz |
| Year
Performed: 1927 |
| Performer:
Hoagy Carmichael |
| Source:
Red Hot Jazz |
|
| Stardust |
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| Type:
Jazz |
| Year
Performed: 1931 |
| Performer:
Louis Armstrong |
| Source:
Red Hot Jazz |
|
| Stars and Stripes Forever |
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| Type:
Patriot |
| Year
Performed: |
| Performer:
John Philip Sousa |
| Source:
John Philip Sousa |
|
| Stars and Stripes Forever |
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| Type:
1920s |
| Year
Performed: |
| Performer:
Seeburg "G" Orchestrian |
| Source:
Authentic History |
|
| Star-Spangled Banner - 1st Brigade Band - 1864 |
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| Type:
Patriotic |
| Year
Performed: 1985 |
| Performer:
1st Brigade Band |
| Source:
1st Brigade Band |
|
| Star-Spangled Banner - Dodworth 1853 |
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| Type:
Patriotic |
| Year
Performed: 1974 |
| Performer:
1st Brigade Band |
| Source:
1st Brigade Band |
|
| Star-Spangled Banner 1832 |
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| Type:
Patriotic |
| Year
Performed: 2001 |
| Performer:
1st Brigade Band |
| Source:
1st Brigade Band |
|
| Star-Spangled Banner 1854 |
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| Type:
Patriotic |
| Year
Performed: 1971 |
| Performer:
1st Brigade Band |
| Source:
1st Brigade Band |
|
| Star-Spangled Banner 1861 |
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| Type:
Patriotic |
| Year
Performed: 1969 |
| Performer:
1st Brigade Band |
| Source:
1st Brigade Band |
|
| Steal Away |
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| Type:
Spiritual |
| Year
Performed: |
| Performer:
Fisk Jubilee Singers |
| Source:
PBS |
|
| Steal Away to Jesus |
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| Type:
Spiritual |
| Year
Performed: 1965 |
| Performer:
Bernice Johnson Reagon |
| Source:
Authentic History |
|
| Steeplechase Rag |
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| Type:
Ragtime |
| Year
Performed: |
| Performer:
|
| Source:
Formation of Modern American Culture |
|
| Stormy Blues |
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| Type:
Jazz |
| Year
Performed: |
| Performer:
Billie Holiday |
| Source:
Formation of Modern American Culture |
|
| Stormy Weather |
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| Type:
1930s |
| Year
Performed: |
| Performer:
Ethel Waters |
| Source:
Manufacturing Memory, University of Virginia |
|
| Stradella Overture |
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| Type:
Early 1900s |
| Year
Performed: 1907 |
| Performer:
Edison Concert Band |
| Source:
Authentic History |
|
| Strange Fruit |
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| Type:
Depression |
| Year
Performed: 1938 |
| Performer:
Billie Holiday |
| Source:
Authentic History |
|
| Subterranean Homesick Blues |
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| Type:
1960s |
| Year
Performed: |
| Performer:
Bob Dylan |
| Source:
Formation of Modern American Culture |
|
| Sufriendo y Penando [Ranchera] |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1960 |
| Performer:
Isidro Lopez |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Summer Nights |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Grease |
| Source:
Raven's Real Audio |
|
| Sun in the Morning |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Annie Get Your Gun |
| Source:
Raven's Real Audio |
|
| Sunday |
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| Type:
1920s |
| Year
Performed: 1926 |
| Performer:
Jean Goldklette and His Orchestra |
| Source:
Authentic History |
|
| Sunny South Medley |
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| Type:
Early 1900s |
| Year
Performed: 1908 |
| Performer:
Arthur Pryors Band |
| Source:
Authentic History |
|
| Sunrise, Sunset |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Fiddler on the Roof |
| Source:
Raven's Real Audio |
|
| Surrey With the Fringe On Top |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Oklahoma |
| Source:
Raven's Real Audio |
|
| Surrey With the Fringe on Top (1943) |
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| Type:
Richard Rodgers |
| Year
Performed: |
| Performer:
Oklahoma |
| Source:
NPR |
|
| Swanee |
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| Type:
Jazz |
| Year
Performed: 1930 |
| Performer:
Louisiana Rhythm Kings |
| Source:
Red Hot Jazz |
|
| Sweet Georgia Brown |
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| Type:
Jazz |
| Year
Performed: 1925 |
| Performer:
California Ramblers |
| Source:
Red Hot Jazz |
|
| Swing Low, Sweet Chariot |
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| Type:
Spiritual |
| Year
Performed: |
| Performer:
Isadore Oglesby |
| Source:
Authentic History |
|
| Swing Low, Sweet Chariot |
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| Type:
Spiritual |
| Year
Performed: |
| Performer:
Fisk Jubilee Singers |
| Source:
PBS |
|
| Take My Hand, Precious Lord |
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| Type:
Spiritual |
| Year
Performed: 1952 |
| Performer:
Clara Ward |
| Source:
Authentic History |
|
| Talking Union |
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| Type:
Labor |
| Year
Performed: |
| Performer:
Pete Seeger |
| Source:
Formation of Modern American Culture |
|
| Tea for Two |
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| Type:
Jazz |
| Year
Performed: 1924 |
| Performer:
Golden Gate Orchestra |
| Source:
Red Hot Jazz |
|
| Tea for Two |
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| Type:
Jazz |
| Year
Performed: 1924 |
| Performer:
Benson Orchestra of Chicago |
| Source:
Red Hot Jazz |
|
| Telephone Hour |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Bye Bye Birdie |
| Source:
Raven's Real Audio |
|
| Ten Cents a Dance |
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| Type:
1930s |
| Year
Performed: |
| Performer:
Ruth Ettling |
| Source:
Manufacturing Memory, University of Virginia |
|
| Ten Days with Baby |
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| Type:
World War II |
| Year
Performed: 1944 |
| Performer:
Merry Macs Orchestra |
| Source:
World War II Songs, Syracuse University |
|
| Terraplane Blues |
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| Type:
Rural Blues |
| Year
Performed: 1936 |
| Performer:
Robert Johnson |
| Source:
Catherine Lavender |
|
| Thank Goodness of Little Girls |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Gigi |
| Source:
Raven's Real Audio |
|
| Thanks Mr. Roosevelt |
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| Type:
World War II |
| Year
Performed: |
| Performer:
George Formby |
| Source:
Marshall Stelzriede's Wartime Story |
|
| That's All Right Mama |
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| Type:
1950s |
| Year
Performed: |
| Performer:
Elvis Presley |
| Source:
Formation of Modern American Culture |
|
| The Herdsman's Mountain Song |
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| Type:
Antebellum |
| Year
Performed: 1974 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| Theodora Goes Wild |
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| Type:
Mercury Theater |
| Year
Performed: 1940 |
| Performer:
Campbell Playhouse |
| Source:
Mercury Theater on the Air |
|
| Theodore |
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| Type:
Early 1900s |
| Year
Performed: 1904 |
| Performer:
Edward M. Favor |
| Source:
Authentic History |
|
| There Is Power in a Union |
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| Type:
Labor |
| Year
Performed: |
| Performer:
|
| Source:
Formation of Modern American Culture |
|
| There'll Be a Hot Time in the Old Town Tonight |
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| Type:
Jazz |
| Year
Performed: 1927 |
| Performer:
Bessie Smith |
| Source:
Red Hot Jazz |
|
| There's a Blue Star Shining Bright |
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| Type:
World War II |
| Year
Performed: 1943 |
| Performer:
Red Foley |
| Source:
World War II Songs, Syracuse University |
|
| There's a New Day Comin' |
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| Type:
Depression |
| Year
Performed: 1933 |
| Performer:
Ted Lewis and his Band |
| Source:
Authentic History |
|
| There's a White Cross Tonight in Okinawa |
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| Type:
World War II |
| Year
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| Performer:
Bob Wills |
| Source:
Authentic History |
|
| There's No Business Like Show Business |
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| Type:
Broadway |
| Year
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| Performer:
Annie Get Your Gun |
| Source:
Raven's Real Audio |
|
| There's Nothing Like a Dame |
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| Type:
Broadway |
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| Performer:
South Pacific |
| Source:
Raven's Real Audio |
|
| They're Red Hot |
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| Type:
Rural Blues |
| Year
Performed: 1936 |
| Performer:
Robert Johnson |
| Source:
Catherine Lavender |
|
| This is the Army |
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| Type:
World War II |
| Year
Performed: |
| Performer:
|
| Source:
Marshall Stelzriede's Wartime Story |
|
| This Land is Your Land |
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| Type:
Depression |
| Year
Performed: |
| Performer:
Woody Guthrie |
| Source:
Formation of Modern American Culture |
|
| Thoroughly Modern Millie |
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| Type:
Broadway |
| Year
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| Performer:
Thoroughly Modern Millie |
| Source:
Raven's Real Audio |
|
| Thou Swell (1943) |
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| Type:
Richard Rodgers |
| Year
Performed: |
| Performer:
Rodgers and Hart |
| Source:
NPR |
|
| Tiger Rag |
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| Type:
Jazz |
| Year
Performed: 1929 |
| Performer:
Duke Ellington |
| Source:
Red Hot Jazz |
|
| Tiger Rag |
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| Type:
Jazz |
| Year
Performed: 1924 |
| Performer:
Jelly Roll Morton |
| Source:
Red Hot Jazz |
|
| Tiger Rag |
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| Type:
Jazz |
| Year
Performed: 1930 |
| Performer:
Louis Armstrong |
| Source:
Red Hot Jazz |
|
| Tiger Rag |
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| Type:
Jazz |
| Year
Performed: 1922 |
| Performer:
Ethel Waters |
| Source:
Red Hot Jazz |
|
| Times They Are a-Changing |
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| Type:
1960s |
| Year
Performed: |
| Performer:
Bob Dylan |
| Source:
Formation of Modern American Culture |
|
| Tin Roof Blues |
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| Type:
Jazz |
| Year
Performed: 1928 |
| Performer:
King Oliver |
| Source:
Red Hot Jazz |
|
| Tip Toe Through the Tulips |
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| Type:
Jazz |
| Year
Performed: 1929 |
| Performer:
Jean Goldkette |
| Source:
Red Hot Jazz |
|
| Tip Toe Through the Tulips with Me |
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| Type:
Jazz |
| Year
Performed: 1929 |
| Performer:
California Ramblers |
| Source:
Red Hot Jazz |
|
| Tiptoe Through the Tulips |
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| Type:
1920s |
| Year
Performed: 1929 |
| Performer:
Nick Lucas |
| Source:
Authentic History |
|
| Titanic |
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| Type:
Hillbilly |
| Year
Performed: 1950 |
| Performer:
Carter Family |
| Source:
Honkingduck |
|
| To Life |
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| Type:
Broadway |
| Year
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| Performer:
Fiddler on the Roof |
| Source:
Raven's Real Audio |
|
| Tokyo Rose |
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| Type:
World War II |
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|
| Source:
Authentic History |
|
| Tonight |
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| Type:
Broadway |
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| Performer:
West Side Story |
| Source:
Raven's Real Audio |
|
| Too Darn Hot |
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| Type:
Broadway |
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| Performer:
Kiss Me Kate |
| Source:
Raven's Real Audio |
|
| Tradition |
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| Type:
Broadway |
| Year
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| Performer:
Fiddler on the Roof |
| Source:
Raven's Real Audio |
|
| Tramp, Tramp, Tramp |
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| Type:
Civil War |
| Year
Performed: |
| Performer:
John Young |
| Source:
Authentic History |
|
| Try to Remember |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Fantasticks |
| Source:
Raven's Real Audio |
|
| Tuck Away My Lonesome Blues |
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| Type:
Hillbilly |
| Year
Performed: 1934 |
| Performer:
Jimmie Rodgers |
| Source:
Honkingduck |
|
| Turkey in the Straw |
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| Type:
Hillbilly |
| Year
Performed: 1924 |
| Performer:
Fiddlin' John Carson |
| Source:
Honkingduck |
|
| Tutti Fruitti |
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| Type:
1950s |
| Year
Performed: |
| Performer:
Pat Boone |
| Source:
Formation of Modern American Culture |
|
| Tutti-Fruitti |
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| Type:
1950s |
| Year
Performed: |
| Performer:
Little Richard |
| Source:
Formation of Modern American Culture |
|
| Tutu Jara |
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| Type:
African Griot Music |
| Year
Performed: 1974 |
| Performer:
Dela Kanuteh, Mawdo Suso, and Kurunka Suso |
| Source:
Catherine Lavender |
|
| Two Ladies |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Cabaret |
| Source:
Raven's Real Audio |
|
| U.S. Air Corps Anthem |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Glenn Miller |
| Source:
Marshall Stelzriede's Wartime Story |
|
| Uncle Josh on a Fifth Avenue Bus |
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| Type:
Early 1900s |
| Year
Performed: 1903 |
| Performer:
Cal Stewart |
| Source:
Authentic History |
|
| Universal Soldier |
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| Type:
1960s |
| Year
Performed: |
| Performer:
Donovan |
| Source:
Formation of Modern American Culture |
|
| Upon a Summer's Day |
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| Type:
Antebellum |
| Year
Performed: 1974 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| Uranium |
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| Type:
Atom Bomb |
| Year
Performed: 1957 |
| Performer:
Commodores |
| Source:
Authentic History |
|
| Vacant Chair |
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| Type:
Civil War |
| Year
Performed: |
| Performer:
Hayden Quartet |
| Source:
Authentic History |
|
| Varsity Drag |
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| Type:
1920s |
| Year
Performed: 1927 |
| Performer:
George Olsen |
| Source:
Authentic History |
|
| Vidita Mia (CanciĂłn) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1946 |
| Performer:
Carmen and Laura |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Wabash Blues |
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| Type:
1920s |
| Year
Performed: 1921 |
| Performer:
Isham Jones and his Orchestra |
| Source:
Authentic History |
|
| Wabash Blues |
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| Type:
Jazz |
| Year
Performed: 1921 |
| Performer:
Mamie Smith |
| Source:
Red Hot Jazz |
|
| Wade in the Water |
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| Type:
Civil Rights |
| Year
Performed: |
| Performer:
Fannie Lou Hamer |
| Source:
Formation of Modern American Culture |
|
| Waltz Suite: Carousel (1945) |
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| Type:
Richard Rodgers |
| Year
Performed: |
| Performer:
Carousel |
| Source:
NPR |
|
| War of the Worlds |
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| Type:
Mercury Theater |
| Year
Performed: 1938 |
| Performer:
Mercury Theater |
| Source:
Mercury Theater on the Air |
|
| War Songs March |
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| Type:
Civil War |
| Year
Performed: |
| Performer:
|
| Source:
Authentic History |
|
| War Songs Medley |
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| Type:
Civil War |
| Year
Performed: |
| Performer:
Victor Male Chorus |
| Source:
Authentic History |
|
| We Are Climbing Jacob's Ladder |
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| Type:
Gospel |
| Year
Performed: |
| Performer:
Bernice Johnson Reagon |
| Source:
Catherine Lavender |
|
| We Did It Before and We Can Do It Again |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Dick Robertson |
| Source:
Authentic History |
|
| We Shall Not Be Moved |
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| Type:
Civil Rights |
| Year
Performed: |
| Performer:
SNCC Singers |
| Source:
Formation of Modern American Culture |
|
| We Shall Overcome |
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| Type:
Civil Rights |
| Year
Performed: |
| Performer:
|
| Source:
Formation of Modern American Culture |
|
| We Sure Got Hard Times Now |
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| Type:
Depression |
| Year
Performed: 1930 |
| Performer:
Barbeque Bob |
| Source:
Authentic History |
|
| Weary Blues |
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| Type:
Jazz |
| Year
Performed: 1924 |
| Performer:
Jelly Roll Morton |
| Source:
Red Hot Jazz |
|
| Weary Blues |
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| Type:
Jazz |
| Year
Performed: 1927 |
| Performer:
Louis Armstrong |
| Source:
Red Hot Jazz |
|
| Wedding Bells Are Breaking Up that Old Gang |
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| Type:
1920s |
| Year
Performed: |
| Performer:
Seeburg Coin Piano |
| Source:
Authentic History |
|
| Wedding Processional |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Sound of Music |
| Source:
Raven's Real Audio |
|
| Wells Fargo Wagon |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Music Man |
| Source:
Raven's Real Audio |
|
| We're Gonna Have to Slap the Dirty Jap |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Carson Robison |
| Source:
Authentic History |
|
| We're in the Money |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
42nd Street |
| Source:
Raven's Real Audio |
|
| We're in the Money |
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| Type:
Depression |
| Year
Performed: |
| Performer:
|
| Source:
Formation of Modern American Culture |
|
| West End Blues |
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| Type:
Jazz |
| Year
Performed: |
| Performer:
Louis Armstrong |
| Source:
Formation of Modern American Culture |
|
| West End Blues |
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| Type:
Jazz |
| Year
Performed: 1928 |
| Performer:
King Oliver |
| Source:
Red Hot Jazz |
|
| West End Blues (King Oliver) |
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| Type:
Jazz |
| Year
Performed: 1928 |
| Performer:
Louis Armstrong |
| Source:
Red Hot Jazz |
|
| What a Waste |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Wonderful Town |
| Source:
Raven's Real Audio |
|
| Whatever Lola Wants |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Damn Yankees |
| Source:
Raven's Real Audio |
|
| When Johnny Comes Marching Home |
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| Type:
Civil War |
| Year
Performed: |
| Performer:
Farrar and Columbia Quartet |
| Source:
Authentic History |
|
| When the Atom Bomb Fell |
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| Type:
Atom Bomb |
| Year
Performed: 1945 |
| Performer:
Karl and Harty |
| Source:
Authentic History |
|
| When the Saints Go Marching In |
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| Type:
Jazz |
| Year
Performed: 1938 |
| Performer:
Louis Armstrong |
| Source:
Red Hot Jazz |
|
| When the Yanks Raise the Stars and Stripes |
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| Type:
World War II |
| Year
Performed: |
| Performer:
|
| Source:
Authentic History |
|
| When They Drop the Atomic Bomb |
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| Type:
Atom Bomb |
| Year
Performed: 1951 |
| Performer:
Jackie Doll and his Pickled Peppers |
| Source:
Authentic History |
|
| When You're Smiling |
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| Type:
Jazz |
| Year
Performed: 1929 |
| Performer:
Louis Armstrong |
| Source:
Red Hot Jazz |
|
| When You're Smiling |
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| Type:
Jazz |
| Year
Performed: 1928 |
| Performer:
Louisiana Rhythm Kings |
| Source:
Red Hot Jazz |
|
| Where Have All the Flowers Gone? |
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| Type:
1960s |
| Year
Performed: |
| Performer:
Pete Seeger |
| Source:
Formation of Modern American Culture |
|
| Where is Love |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Oliver |
| Source:
Raven's Real Audio |
|
| Where or When (1937) |
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| Type:
Richard Rodgers |
| Year
Performed: |
| Performer:
Rodgers and Hart |
| Source:
NPR |
|
| Which Side Are You On? |
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| Type:
Depression |
| Year
Performed: |
| Performer:
Pete Seeger |
| Source:
Formation of Modern American Culture |
|
| Which Side Are You On? |
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| Type:
Labor |
| Year
Performed: |
| Performer:
Pete Seeger |
| Source:
Formation of Modern American Culture |
|
| Whistle a Happy Tune |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
King and I |
| Source:
Raven's Real Audio |
|
| Whistle While You Work |
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| Type:
Depression |
| Year
Performed: 1937 |
| Performer:
Artie Shaw and his New Music |
| Source:
Authentic History |
|
| White Cliffs of Dover |
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| Type:
World War II |
| Year
Performed: |
| Performer:
|
| Source:
Marshall Stelzriede's Wartime Story |
|
| Who Will Buy |
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| Type:
Broadway |
| Year
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| Performer:
Oliver |
| Source:
Raven's Real Audio |
|
| Whole Lot of Shakin Goin On |
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| Type:
1950s |
| Year
Performed: |
| Performer:
Jerry Lee Lewis |
| Source:
Formation of Modern American Culture |
|
| Why Can't the English |
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| Type:
Broadway |
| Year
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| Performer:
My Fair Lady |
| Source:
Raven's Real Audio |
|
| Why Can't You Behave |
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| Type:
Broadway |
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| Performer:
Kiss Me Kate |
| Source:
Raven's Real Audio |
|
| Why Do I Love You |
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| Type:
Broadway |
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| Performer:
Showboat |
| Source:
Raven's Real Audio |
|
| Why, No One to Love?" |
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| Type:
Antebellum |
| Year
Performed: 1974 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| Wildwood Flower |
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| Type:
Hillbilly |
| Year
Performed: 1934 |
| Performer:
Carter Family |
| Source:
Honkingduck |
|
| Wilkommen |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Cabaret |
| Source:
Raven's Real Audio |
|
| Win the War Blues |
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| Type:
Atom Bomb |
| Year
Performed: 1944 |
| Performer:
Sonny Boy Williamson |
| Source:
Authentic History |
|
| With a Little Bit of Luck |
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| Type:
Broadway |
| Year
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| Performer:
My Fair Lady |
| Source:
Raven's Real Audio |
|
| Without You |
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| Type:
Broadway |
| Year
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| Performer:
My Fair Lady |
| Source:
Raven's Real Audio |
|
| Without You |
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| Type:
Broadway |
| Year
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| Performer:
My Fair Lady |
| Source:
Raven's Real Audio |
|
| Woke Up This Morning with My Mind on Freedom |
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| Type:
Civil Rights |
| Year
Performed: |
| Performer:
|
| Source:
Formation of Modern American Culture |
|
| Wolverine Blues |
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| Type:
Jazz |
| Year
Performed: 1925 |
| Performer:
Jelly Roll Morton |
| Source:
Red Hot Jazz |
|
| Wonder When My Baby's Coming Home |
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| Type:
World War II |
| Year
Performed: 1942 |
| Performer:
Helen O'Connell |
| Source:
World War II Songs, Syracuse University |
|
| Wouldn't It Be Loverly |
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| Type:
Broadway |
| Year
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| Performer:
My Fair Lady |
| Source:
Raven's Real Audio |
|
| Ya Got Trouble |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Music Man |
| Source:
Raven's Real Audio |
|
| Ya Gotta Have Heart |
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| Type:
Broadway |
| Year
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| Performer:
Damn Yankees |
| Source:
Raven's Real Audio |
|
| Ya No Quiero Que Mequieras |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
Lalo Robles and his orchestra |
| Source:
Music of the Southwest, University of Arizona |
|
| Yellow Dog Blues |
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| Type:
Jazz |
| Year
Performed: 1925 |
| Performer:
Bessie Smith |
| Source:
Red Hot Jazz |
|
| Yes! We Have No Bananas |
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| Type:
Jazz |
| Year
Performed: 1923 |
| Performer:
California Ramblers |
| Source:
Red Hot Jazz |
|
| Yes! We Have No Bananas |
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| Type:
1920s |
| Year
Performed: 1923 |
| Performer:
Billy Murray |
| Source:
Authentic History |
|
| Yonder Come the Blues |
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| Type:
Jazz |
| Year
Performed: |
| Performer:
Ma Rainey |
| Source:
Formation of Modern American Culture |
|
| Yonder Comes the Blues |
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| Type:
Jazz |
| Year
Performed: 1925 |
| Performer:
Ma Rainey |
| Source:
Red Hot Jazz |
|
| You Can't Get a Man With a Gun |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Annie Get Your Gun |
| Source:
Raven's Real Audio |
|
| You Did It |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
My Fair Lady |
| Source:
Raven's Real Audio |
|
| You May Take Me to the Fair |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Camelot |
| Source:
Raven's Real Audio |
|
| You Took Advantage of Me (1928) |
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| Type:
Richard Rodgers |
| Year
Performed: |
| Performer:
Rodgers and Hart |
| Source:
NPR |
|
| You’re the Cream in My Coffee |
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| Type:
1920s |
| Year
Performed: 1928 |
| Performer:
Ted Weems |
| Source:
Authentic History |
|
| You'll Have to Get Off the Bus and Rock |
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| Type:
Early 1900s |
| Year
Performed: 1905 |
| Performer:
Will E. Denny |
| Source:
Authentic History |
|
| You'll Never Walk Alone |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Carousel |
| Source:
Raven's Real Audio |
|
| You'll Never Walk Alone (1945) |
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| Type:
Richard Rodgers |
| Year
Performed: |
| Performer:
Carousel |
| Source:
NPR |
|
| Younger Than Springtime |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
South Pacific |
| Source:
Raven's Real Audio |
|
| You're a Sap, Mr. Jap |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Andrews Sisters |
| Source:
Authentic History |
|
| You're the Cream in My Coffee |
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| Type:
Jazz |
| Year
Performed: 1928 |
| Performer:
Miff Mole |
| Source:
Red Hot Jazz |
|
| You're the Cream in My Coffee |
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| Type:
Jazz |
| Year
Performed: 1928 |
| Performer:
Golden Gate Orchestra |
| Source:
Red Hot Jazz |
|
| You're the One that I Want |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Grease |
| Source:
Raven's Real Audio |
|
| You've Gotta Have a Gimmick |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Gypsy |
| Source:
Raven's Real Audio |
|