| 45 Minutes from Broadway |
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| Type:
Early 1900s |
| Year
Performed: 1906 |
| Performer:
Billy Murray |
| Source:
Authentic History |
|
| 5 Foot 2, Eyes of Blue |
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| Type:
1920s |
| Year
Performed: 1922 |
| Performer:
California Ramblers |
| Source:
Big Band's Database Plus |
|
| 50 Megatons |
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| Type:
Atom Bomb |
| Year
Performed: 1956 |
| Performer:
Sonny Russell |
| Source:
Authentic History |
|
| 76 Trombones |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Music Man |
| Source:
Raven's Real Audio |
|
| Abraham Lincoln |
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| Type:
Mercury Theater |
| Year
Performed: 1938 |
| Performer:
Mercury Theater |
| Source:
Mercury Theater on the Air |
|
| After the Ball |
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| Type:
Hillbilly |
| Year
Performed: 1930 |
| Performer:
Fiddlin' John Carson |
| Source:
Honkingduck |
|
| After Your Gone |
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| Type:
Jazz |
| Year
Performed: 1929 |
| Performer:
Louis Armstrong |
| Source:
Red Hot Jazz |
|
| After You've Gone |
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| Type:
Jazz |
| Year
Performed: 1927 |
| Performer:
Bessie Smith |
| Source:
Red Hot Jazz |
|
| After You've Gone |
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| Type:
Jazz |
| Year
Performed: 1927 |
| Performer:
Sophie Tucker |
| Source:
Red Hot Jazz |
|
| Age of Aquarius |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Hair |
| Source:
Raven's Real Audio |
|
| Ah! May the Red Rose Live Always |
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| Type:
Antebellum |
| Year
Performed: 1974 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| Ain't Misbehavin |
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| Type:
Jazz |
| Year
Performed: 1933 |
| Performer:
Duke Ellington |
| Source:
Dismuke's Virtual Talking Machine |
|
| Ain't Misbehavin' |
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| Type:
Jazz |
| Year
Performed: 1938 |
| Performer:
Fats Waller |
| Source:
Red Hot Jazz |
|
| Ain't Misbehavin' |
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| Type:
Jazz |
| Year
Performed: 1929 |
| Performer:
Louis Armstrong |
| Source:
Red Hot Jazz |
|
| Ain't We Got Fun |
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| Type:
1920s |
| Year
Performed: 1922 |
| Performer:
Mitchell's Jazz Kings |
| Source:
Big Band's Database Plus |
|
| Ain't We Got Fun |
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| Type:
1920s |
| Year
Performed: 1921 |
| Performer:
Van and Shenck |
| Source:
Authentic History |
|
| Alexander's Ragtime Band |
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| Type:
Jazz |
| Year
Performed: 1927 |
| Performer:
Bessie Smith |
| Source:
Red Hot Jazz |
|
| Alexander's Ragtime Band |
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| Type:
Jazz |
| Year
Performed: 1937 |
| Performer:
Louis Armstrong |
| Source:
Red Hot Jazz |
|
| All of Me |
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| Type:
Jazz |
| Year
Performed: 1932 |
| Performer:
Louis Armstrong |
| Source:
Red Hot Jazz |
|
| All of Me |
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| Type:
Depression |
| Year
Performed: 1932 |
| Performer:
Louis Armstrong |
| Source:
Authentic History |
|
| All You Need is Love |
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| Type:
1960s |
| Year
Performed: |
| Performer:
Beatles |
| Source:
Formation of Modern American Culture |
|
| Almost Like Being in Love |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Brigadoon |
| Source:
Raven's Real Audio |
|
| Alone at the Drive-In |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Grease |
| Source:
Raven's Real Audio |
|
| Always True to You in My Fashion |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Kiss Me Kate |
| Source:
Raven's Real Audio |
|
| Amazing Grace |
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| Type:
Spiritual |
| Year
Performed: 1960 |
| Performer:
Elder Walter Evans |
| Source:
Authentic History |
|
| America |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
West Side Story |
| Source:
Raven's Real Audio |
|
| America Calling |
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| Type:
World War II |
| Year
Performed: 1942 |
| Performer:
Fred Waring |
| Source:
World War II Songs, Syracuse University |
|
| Amor Pendiente (Ranchera) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1948 |
| Performer:
Las Hermanas Fraga |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Anacreontic Song |
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| Type:
Patriotic |
| Year
Performed: 1981 |
| Performer:
1st Brigade Band |
| Source:
1st Brigade Band |
|
| Angels of Mercy |
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| Type:
World War II |
| Year
Performed: 1941 |
| Performer:
Glenn Miller |
| Source:
World War II Songs, Syracuse University |
|
| Any Bonds Today |
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| Type:
World War II |
| Year
Performed: |
| Performer:
|
| Source:
Authentic History |
|
| Anything Goes |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Anything Goes |
| Source:
Raven's Real Audio |
|
| Anything You Can Do |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Annie Get Your Gun |
| Source:
Raven's Real Audio |
|
| Are You Makin' Any Money? |
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| Type:
Depression |
| Year
Performed: 1933 |
| Performer:
Chuck Bullock and His Levee Loungers |
| Source:
Authentic History |
|
| Arkansas Traveler |
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| Type:
Hillbilly |
| Year
Performed: 1929 |
| Performer:
Pop Hanks and His Boys |
| Source:
Honkingduck |
|
| Arkansas Traveler |
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| Type:
Hillbilly |
| Year
Performed: 1924 |
| Performer:
Fiddlin' John Carson |
| Source:
Honkingduck |
|
| Arkansas Traveler |
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| Type:
Hillbilly |
| Year
Performed: 1930 |
| Performer:
Frisco Players |
| Source:
Honkingduck |
|
| Arrancame el Corazón (Vals Ranchera) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1951 |
| Performer:
Juanita & María Mendoza |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Arrancame el Corazón (Vals Ranchera) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1951 |
| Performer:
Juanita & María Mendoza |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Ascot Gavotte |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
My Fair Lady |
| Source:
Raven's Real Audio |
|
| Atom and Evil |
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| Type:
Atom Bomb |
| Year
Performed: 1946 |
| Performer:
Golden Gate Quartet |
| Source:
Authentic History |
|
| Atom Bomb Baby |
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| Type:
Atom Bomb |
| Year
Performed: 1957 |
| Performer:
Five Stars |
| Source:
Authentic History |
|
| Atomic Cocktail |
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| Type:
Atom Bomb |
| Year
Performed: 1945 |
| Performer:
Slim Gaillard Quartette |
| Source:
Authentic History |
|
| Atomic Power |
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| Type:
Atom Bomb |
| Year
Performed: 1946 |
| Performer:
Buchanan Brothers |
| Source:
Authentic History |
|
| Atomic Sermon |
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| Type:
Atom Bomb |
| Year
Performed: 1953 |
| Performer:
Billy Hughes and the Rhythm Buckaroos |
| Source:
Authentic History |
|
| Back Home for Keeps |
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| Type:
World War II |
| Year
Performed: 1945 |
| Performer:
Guy Lombardo |
| Source:
World War II Songs, Syracuse University |
|
| Bali Hai |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
South Pacific |
| Source:
Raven's Real Audio |
|
| Bali Hai (1949) |
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| Type:
Richard Rodgers |
| Year
Performed: |
| Performer:
South Pacific |
| Source:
NPR |
|
| Ballstown |
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| Type:
Sacred Harp |
| Year
Performed: |
| Performer:
Nehemiah Shumway |
| Source:
Sacred Harp Singing, University of Mississippi |
|
| Baltimore Buzz |
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| Type:
Jazz |
| Year
Performed: 1921 |
| Performer:
Noble Sissle |
| Source:
Red Hot Jazz |
|
| Bandana Days |
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| Type:
Jazz |
| Year
Performed: 1922 |
| Performer:
Noble Sissle and Eubie Blake |
| Source:
Red Hot Jazz |
|
| Bandana Days |
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| Type:
Jazz |
| Year
Performed: 1921 |
| Performer:
Eubie Blake |
| Source:
Red Hot Jazz |
|
| Bandana Days/Love Will Find a Way |
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| Type:
Jazz |
| Year
Performed: 1921 |
| Performer:
James P. Johnson |
| Source:
Red Hot Jazz |
|
| Basin Street Blues |
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| Type:
Jazz |
| Year
Performed: 1933 |
| Performer:
Louis Armstrong |
| Source:
Red Hot Jazz |
|
| Battle Hymn of the Republic |
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| Type:
Civil War |
| Year
Performed: |
| Performer:
Reinald Werrenrath |
| Source:
Authentic History |
|
| Be Back Soon |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Oliver |
| Source:
Raven's Real Audio |
|
| Beale Street Blues |
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| Type:
Jazz |
| Year
Performed: 1927 |
| Performer:
Jelly Roll Morton |
| Source:
Red Hot Jazz |
|
| Beauty School Dropout |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Grease |
| Source:
Raven's Real Audio |
|
| Been a Long Day |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
How to Succeed |
| Source:
Raven's Real Audio |
|
| Been in the Storm So Long |
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| Type:
Spiritual |
| Year
Performed: 1956 |
| Performer:
Fisk Jubilee Singers |
| Source:
Authentic History |
|
| Begin the Beguine |
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| Type:
1930s |
| Year
Performed: |
| Performer:
Artie Shaw |
| Source:
Manufacturing Memory, University of Virginia |
|
| Bei Mir Bist Du Schon |
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| Type:
1930s |
| Year
Performed: |
| Performer:
Andrews Sisters |
| Source:
Manufacturing Memory, University of Virginia |
|
| Bell Bottom Trousers |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Connie Boswell & The V-disc Men |
| Source:
Authentic History |
|
| Bewitched, Bothered and Bewildered (1940) |
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| Type:
Richard Rodgers |
| Year
Performed: |
| Performer:
Rodgers and Hart |
| Source:
NPR |
|
| Bill Bailey |
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| Type:
Hillbilly |
| Year
Performed: 1927 |
| Performer:
Young Brothers Tennessee Band |
| Source:
Honkingduck |
|
| Blonde Texan Woman |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
Jesús Meraz |
| Source:
Music of the Southwest, University of Arizona |
|
| Blowing in the Wind |
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| Type:
1960s |
| Year
Performed: |
| Performer:
Joan Baez |
| Source:
Formation of Modern American Culture |
|
| Blue Moon (1934) |
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| Type:
Richard Rodgers |
| Year
Performed: |
| Performer:
Rodgers and Hart |
| Source:
NPR |
|
| Body and Soul |
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| Type:
Depression |
| Year
Performed: 1930 |
| Performer:
Majestic Dance Orchestra |
| Source:
Dismuke's Virtual Talking Machine |
|
| Body and Soul |
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| Type:
Jazz |
| Year
Performed: 1930 |
| Performer:
Louis Armstrong |
| Source:
Red Hot Jazz |
|
| Bombadier Song |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Bing Crosby |
| Source:
Marshall Stelzriede's Wartime Story |
|
| Boogie Woogie Bugle Boy |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Andrews Sisters |
| Source:
Marshall Stelzriede's Wartime Story |
|
| Boogie Woogie Bugle Boy |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Andrews Sisters |
| Source:
Authentic History |
|
| Boppin' the Rock |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1955 |
| Performer:
Armando Almendarez & Conjunto México |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Bouncer at the Blazing Rag |
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| Type:
Early 1900s |
| Year
Performed: 1902 |
| Performer:
Len Spencer and Gilbert Gerard |
| Source:
Authentic History |
|
| Boy Like This |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
West Side Story |
| Source:
Raven's Real Audio |
|
| Boys of the Old Brigade |
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| Type:
Civil War |
| Year
Performed: |
| Performer:
Chatauqua Preachers' Quartette |
| Source:
Authentic History |
|
| Brakeman's Blues |
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| Type:
Hillbilly |
| Year
Performed: 1928 |
| Performer:
Jimmie Rodgers |
| Source:
Honkingduck |
|
| Bread and Roses |
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| Type:
Labor |
| Year
Performed: |
| Performer:
|
| Source:
Formation of Modern American Culture |
|
| Brigadoon |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Brigadoon |
| Source:
Raven's Real Audio |
|
| Brother, Can You Spare a Dime? |
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| Type:
Depression |
| Year
Performed: 1932 |
| Performer:
Rudy Vallee |
| Source:
Authentic History |
|
| Brotherhood of Man |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
How to Succeed |
| Source:
Raven's Real Audio |
|
| Brush Up Your Shakespeare |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Kiss Me Kate |
| Source:
Raven's Real Audio |
|
| By the Light of the Silvery Moon |
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| Type:
Jazz |
| Year
Performed: 1942 |
| Performer:
Fats Waller |
| Source:
Red Hot Jazz |
|
| Cabaret |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Cabaret |
| Source:
Raven's Real Audio |
|
| Camelot/Finale |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Camelot |
| Source:
Raven's Real Audio |
|
| Can the Circle Be Unbroken |
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| Type:
Hillbilly |
| Year
Performed: 1935 |
| Performer:
Carter Family |
| Source:
Honkingduck |
|
| Can't Help Lovin' That Man |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Showboat |
| Source:
Raven's Real Audio |
|
| Captain Finch's Quickstep |
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| Type:
Antebellum |
| Year
Performed: 1974 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| Captain Shepherd's Quickstep |
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| Type:
Antebellum |
| Year
Performed: 1974 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| Casey Jones |
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| Type:
Early 1900s |
| Year
Performed: 1912 |
| Performer:
Billy Murray Chorus |
| Source:
Authentic History |
|
| Casey Jones |
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| Type:
Hillbilly |
| Year
Performed: 1928 |
| Performer:
Bob Skiles |
| Source:
Honkingduck |
|
| Casey Jones |
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| Type:
Hillbilly |
| Year
Performed: 1924 |
| Performer:
Fiddlin' John Carson and Moonshine Kate |
| Source:
Honkingduck |
|
| C'est Moi |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Camelot |
| Source:
Raven's Real Audio |
|
| Charleston |
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| Type:
Jazz |
| Year
Performed: 1925 |
| Performer:
California Ramblers |
| Source:
Red Hot Jazz |
|
| Charleston Rag |
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| Type:
Ragtime |
| Year
Performed: |
| Performer:
|
| Source:
Formation of Modern American Culture |
|
| Chattanooga Choo Choo |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Glenn Miller |
| Source:
Marshall Stelzriede's Wartime Story |
|
| Cheek to Cheek |
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| Type:
1930s |
| Year
Performed: |
| Performer:
Fred Astaire |
| Source:
Manufacturing Memory, University of Virginia |
|
| Chicago |
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| Type:
1920s |
| Year
Performed: 1923 |
| Performer:
Mitchell's Jazz Kings |
| Source:
Big Band's Database Plus |
|
| Christopher Street |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Wonderful Town |
| Source:
Raven's Real Audio |
|
| Cleanin' My Rifle (And Dreamin' of You) |
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| Type:
World War II |
| Year
Performed: 1943 |
| Performer:
Lawrence Welk |
| Source:
World War II Songs, Syracuse University |
|
| Climb Every Mountain |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Sound of Music |
| Source:
Raven's Real Audio |
|
| Climb Ev'ry Mountain (1959) |
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| Type:
Richard Rodgers |
| Year
Performed: |
| Performer:
Sound of Music |
| Source:
NPR |
|
| Closing Comments "El Corrido de Cornelio Vega" |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
Celestino Fernandez |
| Source:
Music of the Southwest, University of Arizona |
|
| Closing Comments The Blonde Texas Woman |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
Celestino Fernandez |
| Source:
Music of the Southwest, University of Arizona |
|
| Closing remarks to El Mojado Mafioso |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
|
| Source:
Music of the Southwest, University of Arizona |
|
| Coffee Break |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
How to Succeed |
| Source:
Raven's Real Audio |
|
| Come Josephine in My Flying Machine |
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| Type:
Early 1900s |
| Year
Performed: 1911 |
| Performer:
Harry Tally |
| Source:
Authentic History |
|
| Come On and Kiss Yo' Baby |
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| Type:
Early 1900s |
| Year
Performed: 1907 |
| Performer:
Collins and Harlan |
| Source:
Authentic History |
|
| Comin' In on a Wing and a Prayer |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Jimmy McHugh |
| Source:
Authentic History |
|
| Company Way |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
How to Succeed |
| Source:
Raven's Real Audio |
|
| Conga |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Wonderful Town |
| Source:
Raven's Real Audio |
|
| Consider Yourself |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Oliver |
| Source:
Raven's Real Audio |
|
| Contestacion a mi cafetal (Canción) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1952 |
| Performer:
Delia y Laura |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Cool |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
West Side Story |
| Source:
Raven's Real Audio |
|
| Corazon del pueblo (Ranchera) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1955 |
| Performer:
Isidro Lopez |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Corina, Corina (Blues) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1961 |
| Performer:
Eddie con Los Shades |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Corrido 1 |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
Americo Paredes |
| Source:
Americo Paredes Homepage, University of Texas |
|
| Corrido 2 |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
Americo Paredes |
| Source:
Americo Paredes Homepage, University of Texas |
|
| Corrido 3 |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
Americo Paredes |
| Source:
Americo Paredes Homepage, University of Texas |
|
| Corrido 4 |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
Americo Paredes |
| Source:
Americo Paredes Homepage, University of Texas |
|
| Corrido 5 |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
Americo Paredes |
| Source:
Americo Paredes Homepage, University of Texas |
|
| Corrido 6 |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
Americo Paredes |
| Source:
Americo Paredes Homepage, University of Texas |
|
| Corrido 7 |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
Americo Paredes |
| Source:
Americo Paredes Homepage, University of Texas |
|
| Corrido 8 |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
Americo Paredes |
| Source:
Americo Paredes Homepage, University of Texas |
|
| Corrido de el Burro Mojado |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
Mario Celis |
| Source:
Music of the Southwest, University of Arizona |
|
| Corrido de los Derechos Humanos |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
Marco Antonio |
| Source:
Music of the Southwest, University of Arizona |
|
| Corrido de Vietnam |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
|
| Source:
Music of the Southwest, University of Arizona |
|
| Corrido Del Bracero Fracasado |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
Estalislado Lona |
| Source:
Music of the Southwest, University of Arizona |
|
| Corrido del Tiradito |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
Hector Vega |
| Source:
Music of the Southwest, University of Arizona |
|
| Corrina, Corrina |
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| Type:
Hillbilly |
| Year
Performed: 1932 |
| Performer:
Ashley & Abernathy |
| Source:
Honkingduck |
|
| Couldn't Hear Nobody Pray |
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| Type:
Spiritual |
| Year
Performed: |
| Performer:
Sam McClain |
| Source:
PBS |
|
| Couldn't Hear Nobody Pray |
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| Type:
Spiritual |
| Year
Performed: 1975 |
| Performer:
Tuskegee Institute Choir |
| Source:
Authentic History |
|
| Cowards Over Pearl Harbor |
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| Type:
World War II |
| Year
Performed: 1941 |
| Performer:
Denver Darling |
| Source:
World War II Songs, Syracuse University |
|
| Crazy Blues |
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| Type:
Jazz |
| Year
Performed: 1921 |
| Performer:
Noble Sissle and Eubie Blake |
| Source:
Red Hot Jazz |
|
| Crazy Blues |
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| Type:
Jazz |
| Year
Performed: 1920 |
| Performer:
Mamie Smith |
| Source:
Red Hot Jazz |
|
| Crazy Blues |
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| Type:
Jazz |
| Year
Performed: |
| Performer:
Mamie Smith |
| Source:
Formation of Modern American Culture |
|
| Crazy Words -- Crazy Tune |
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| Type:
Jazz |
| Year
Performed: 1927 |
| Performer:
California Ramblers |
| Source:
Red Hot Jazz |
|
| Crazy Words -- Crazy Tune |
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| Type:
World War II |
| Year
Performed: 1927 |
| Performer:
Irving Aaronson |
| Source:
Red Hot Jazz |
|
| Crazy Words--Crazy Tune (Vo-do-de-o) |
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| Type:
1920s |
| Year
Performed: 1926 |
| Performer:
Irving Aaronson and his Commanders |
| Source:
Authentic History |
|
| Cross Road Blues |
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| Type:
Rural Blues |
| Year
Performed: 1936 |
| Performer:
Robert Johnson |
| Source:
Catherine Lavender |
|
| Cuba |
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| Type:
Sacred Harp |
| Year
Performed: 1929 |
| Performer:
Alabama Sacred Harp Singers |
| Source:
Honkingduck |
|
| Daddy Goodbye Blues |
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| Type:
Jazz |
| Year
Performed: |
| Performer:
Ma Rainey |
| Source:
Formation of Modern American Culture |
|
| Dames |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
42nd Street |
| Source:
Raven's Real Audio |
|
| Dark Was The Night (Cold Was The Ground) |
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| Type:
Depression |
| Year
Performed: 1927 |
| Performer:
Blind Willie Johnson |
| Source:
Authentic History |
|
| Daughters of Freedom |
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| Type:
Postbellum |
| Year
Performed: 1998 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| Dawn of a New Day |
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| Type:
Depression |
| Year
Performed: 1939 |
| Performer:
Horace Heidt and His Musical Knights |
| Source:
Authentic History |
|
| D-Day |
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| Type:
World War II |
| Year
Performed: |
| Performer:
|
| Source:
Authentic History |
|
| Dear Mom |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Sammy Keye |
| Source:
Authentic History |
|
| Der Fuehrer's Face |
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| Type:
World War II |
| Year
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| Performer:
Spike Jones and His City Slickers |
| Source:
Authentic History |
|
| Desde Navolato Vengo |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
Lalo Robles and his orchestra |
| Source:
Music of the Southwest, University of Arizona |
|
| Detroit Moan |
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| Type:
Depression |
| Year
Performed: 1936 |
| Performer:
Victoria Spivey and the Chicago Four |
| Source:
Authentic History |
|
| Diamonds Are a Girl's Best Friend |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Gentlemen Prefer Blondes |
| Source:
Raven's Real Audio |
|
| Did He Ever Return |
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| Type:
Hillbilly |
| Year
Performed: 1928 |
| Performer:
Fiddlin' John Carson |
| Source:
Honkingduck |
|
| Didn't My Lord Deliver Daniel? |
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| Type:
Spiritual |
| Year
Performed: 1978 |
| Performer:
Howard Roberts Chorale |
| Source:
Authentic History |
|
| Dinah |
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| Type:
Jazz |
| Year
Performed: 1930 |
| Performer:
Louis Armstrong |
| Source:
Red Hot Jazz |
|
| Dinah |
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| Type:
Jazz |
| Year
Performed: 1925 |
| Performer:
Cliff Edwards |
| Source:
Red Hot Jazz |
|
| Dinah |
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| Type:
Jazz |
| Year
Performed: 1926 |
| Performer:
Clarence Williams |
| Source:
Red Hot Jazz |
|
| Dipper Mouth Blues |
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| Type:
Jazz |
| Year
Performed: 1923 |
| Performer:
King Oliver |
| Source:
Red Hot Jazz |
|
| Dixie Land |
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| Type:
Civil War |
| Year
Performed: |
| Performer:
Peerless Quartet |
| Source:
Authentic History |
|
| Do Re Mi |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Sound of Music |
| Source:
Raven's Real Audio |
|
| Do Re Mi (1959) |
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| Type:
Richard Rodgers |
| Year
Performed: |
| Performer:
Sound of Music |
| Source:
NPR |
|
| Does the Spearmint Lose its Flavor on the Bedpost |
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| Type:
1920s |
| Year
Performed: 1924 |
| Performer:
Billy Jones |
| Source:
Authentic History |
|
| Doin' What Comes Naturally |
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| Type:
Broadway |
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Performed: |
| Performer:
Annie Get Your Gun |
| Source:
Raven's Real Audio |
|
| Doing Something Rag |
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| Type:
Ragtime |
| Year
Performed: |
| Performer:
|
| Source:
Formation of Modern American Culture |
|
| Doña Chona (Mambo) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1953 |
| Performer:
Pedro Bugarin |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Don't Be Cruel |
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| Type:
1950s |
| Year
Performed: |
| Performer:
Elvis Presley |
| Source:
Formation of Modern American Culture |
|
| Don't Cry for Me Argentina |
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| Type:
Broadway |
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| Performer:
Evita |
| Source:
Raven's Real Audio |
|
| Don't Sit Under the Apple Tree |
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| Type:
World War II |
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Performed: |
| Performer:
|
| Source:
Authentic History |
|
| Don't Tell Mama |
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| Type:
Broadway |
| Year
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| Performer:
Cabaret |
| Source:
Raven's Real Audio |
|
| Don't Worry Mom |
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| Type:
World War II |
| Year
Performed: 1944 |
| Performer:
Sonny Dunham |
| Source:
World War II Songs, Syracuse University |
|
| Door Latch Quickstep |
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| Type:
Antebellum |
| Year
Performed: 1974 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| Down Where the Swanee River Flows |
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| Type:
Civil War |
| Year
Performed: |
| Performer:
Hayden Quartet |
| Source:
Authentic History |
|
| Duke Ellington |
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| Type:
1930s |
| Year
Performed: |
| Performer:
Symphony in Black |
| Source:
Manufacturing Memory, University of Virginia |
|
| Edelweiss |
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| Type:
Broadway |
| Year
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| Performer:
Sound of Music |
| Source:
Raven's Real Audio |
|
| El Mojado Mafioso |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
Marco Antonio Montez |
| Source:
Music of the Southwest, University of Arizona |
|
| Embraceable You |
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| Type:
George Gershwin |
| Year
Performed: |
| Performer:
Ella Fitzgerald |
| Source:
Minnesota Public Radio |
|
| En Brazos de Otro Hombre [Ranchera] |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1953 |
| Performer:
Ada Garcia |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Every Little Bit Added |
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| Type:
Early 1900s |
| Year
Performed: 1908 |
| Performer:
Arthur Collins |
| Source:
Authentic History |
|
| Everything's Coming Up Roses |
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| Type:
Broadway |
| Year
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| Performer:
Gypsy |
| Source:
Raven's Real Audio |
|
| Falling in Love Again |
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| Type:
1920s |
| Year
Performed: 1930 |
| Performer:
Marlene Dietrich |
| Source:
Authentic History |
|
| Falling in Love With Love (1938) |
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| Type:
Richard Rodgers |
| Year
Performed: |
| Performer:
Rodgers and Hart |
| Source:
NPR |
|
| Fame |
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| Type:
Broadway |
| Year
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| Performer:
Fame |
| Source:
Raven's Real Audio |
|
| Far from the Home I Love |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Fiddler on the Roof |
| Source:
Raven's Real Audio |
|
| Feliz Sin Ti (Bolero) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1950 |
| Performer:
Lydia Mendoza |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Fie on Goodness |
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| Type:
Broadway |
| Year
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| Performer:
Camelot |
| Source:
Raven's Real Audio |
|
| Fifty Million Frenchmen |
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| Type:
Jazz |
| Year
Performed: 1927 |
| Performer:
Sophie Tucker |
| Source:
Red Hot Jazz |
|
| Fighting Doug MacArthur |
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| Type:
World War II |
| Year
Performed: |
| Performer:
|
| Source:
Authentic History |
|
| Finale |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
How to Succeed |
| Source:
Raven's Real Audio |
|
| Finale |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
King and I |
| Source:
Raven's Real Audio |
|
| First introduction to El Mojado Mafioso |
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| Type:
Corrido |
| Year
Performed: |
| Performer:
|
| Source:
Music of the Southwest, University of Arizona |
|
| Fixin' to Die |
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| Type:
1960s |
| Year
Performed: |
| Performer:
Country Joe and the Fish |
| Source:
Formation of Modern American Culture |
|
| Flor marchita (Schotis) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1937 |
| Performer:
Narciso Martinez |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Florecita (Polka) |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1956 |
| Performer:
Narciso Martinez |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Food Glorious Food |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Oliver |
| Source:
Raven's Real Audio |
|
| Forget About the Boy |
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| Type:
Broadway |
| Year
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| Performer:
Thoroughly Modern Millie |
| Source:
Raven's Real Audio |
|
| Forgotten Man |
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| Type:
Depression |
| Year
Performed: |
| Performer:
|
| Source:
Formation of Modern American Culture |
|
| Francisco Martínez [Corrido] |
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| Type:
Tejano & Conjunto |
| Year
Performed: 1949 |
| Performer:
Gaytan and Felix Solis |
| Source:
Roots of Tejano and Conjunto Music, U. Texas |
|
| Frankie |
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| Type:
Hillbilly |
| Year
Performed: 1927 |
| Performer:
Dykes Magic City Trio |
| Source:
Honkingduck |
|
| Frankie and Johnny |
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| Type:
Jazz |
| Year
Performed: 1929 |
| Performer:
King Oliver |
| Source:
Red Hot Jazz |
|
| Frankie and Johnny |
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| Type:
Jazz |
| Year
Performed: 1923 |
| Performer:
Isham Jones |
| Source:
Red Hot Jazz |
|
| Free and Easy |
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| Type:
Antebellum |
| Year
Performed: 1974 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| Freedom Now Chant |
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| Type:
Civil Rights |
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Performed: |
| Performer:
|
| Source:
Formation of Modern American Culture |
|
| Friendship |
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| Type:
Broadway |
| Year
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| Performer:
Anything Goes |
| Source:
Raven's Real Audio |
|
| G.I. Blues |
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| Type:
World War II |
| Year
Performed: 1944 |
| Performer:
Floyd Tillman |
| Source:
World War II Songs, Syracuse University |
|
| Garfield (Mourning) |
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| Type:
Postbellum |
| Year
Performed: 1998 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| Garfield (Prayer for Recovery) |
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| Type:
Postbellum |
| Year
Performed: 1998 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| Gary Indiana |
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| Type:
Broadway |
| Year
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| Performer:
Music Man |
| Source:
Raven's Real Audio |
|
| General Taylor Storming Monterey |
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| Type:
Antebellum |
| Year
Performed: 1974 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| Georgia on My Mind |
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| Type:
Jazz |
| Year
Performed: 1931 |
| Performer:
Louis Armstrong |
| Source:
Red Hot Jazz |
|
| Georgia On My Mind |
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| Type:
Jazz |
| Year
Performed: 1930 |
| Performer:
Hoagy Carmichael |
| Source:
Red Hot Jazz |
|
| Get It While You Can |
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| Type:
1960s |
| Year
Performed: |
| Performer:
Janice Joplin |
| Source:
Formation of Modern American Culture |
|
| Get Me to the Church on Time |
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| Type:
Broadway |
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| Performer:
My Fair Lady |
| Source:
Raven's Real Audio |
|
| Getting to Know You |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
King and I |
| Source:
Raven's Real Audio |
|
| Getting to Know You (1951) |
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| Type:
Richard Rodgers |
| Year
Performed: |
| Performer:
King and I |
| Source:
NPR |
|
| GI Jive |
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| Type:
World War II |
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Performed: |
| Performer:
Glenn Miller |
| Source:
Authentic History |
|
| Gigi |
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| Type:
Broadway |
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| Performer:
Gigi |
| Source:
Raven's Real Audio |
|
| Gimme a Pig Foot |
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| Type:
Urban Blues |
| Year
Performed: 1933 |
| Performer:
Bessie Smith |
| Source:
Catherine Lavender |
|
| Gimme Gimme |
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| Type:
Broadway |
| Year
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| Performer:
Thoroughly Modern Millie |
| Source:
Raven's Real Audio |
|
| Girls, Don't Refuse to Kiss a Soldier |
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| Type:
World War II |
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| Performer:
|
| Source:
Authentic History |
|
| Gloomy Sunday |
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| Type:
Depression |
| Year
Performed: 1941 |
| Performer:
Billie Holiday |
| Source:
Authentic History |
|
| Go Down Old Hannah |
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| Type:
Work & Prison Songs |
| Year
Performed: 1951 |
| Performer:
Texas Prison Camp Work Gang |
| Source:
Catherine Lavender |
|
| Go Down, Moses |
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| Type:
Spiritual |
| Year
Performed: 1965 |
| Performer:
Paul Robeson |
| Source:
Authentic History |
|
| God Bless America |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Kate Smith |
| Source:
Marshall Stelzriede's Wartime Story |
|
| Good Night Irene |
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| Type:
1930s |
| Year
Performed: |
| Performer:
Lead Belly |
| Source:
Manufacturing Memory, University of Virginia |
|
| Goodbye Dolly Gray |
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| Type:
Civil War |
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Performed: |
| Performer:
Hugh Donovan |
| Source:
Authentic History |
|
| Goodbye Mama |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Frankie Masters |
| Source:
Marshall Stelzriede's Wartime Story |
|
| Goodbye Mama, I'm Off to Yokahoma |
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| Type:
World War II |
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| Performer:
Dick Robertson |
| Source:
Authentic History |
|
| Got to Pick a Pocket or Two |
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| Type:
Broadway |
| Year
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| Performer:
Oliver |
| Source:
Raven's Real Audio |
|
| Grandfather's Clock |
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| Type:
Postbellum |
| Year
Performed: 1998 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| Grease |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Grease |
| Source:
Raven's Real Audio |
|
| Greased Lightning |
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| Type:
Broadway |
| Year
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| Performer:
Grease |
| Source:
Raven's Real Audio |
|
| Great Speckle Bird |
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| Type:
1930s |
| Year
Performed: |
| Performer:
Roy Acuff |
| Source:
Manufacturing Memory, University of Virginia |
|
| Gulf Coast Blues |
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| Type:
Jazz |
| Year
Performed: 1923 |
| Performer:
W.C. Handy |
| Source:
Red Hot Jazz |
|
| Guys and Dolls |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Guys and Dolls |
| Source:
Raven's Real Audio |
|
| Hair |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Hair |
| Source:
Raven's Real Audio |
|
| Handy Man |
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| Type:
Hillbilly |
| Year
Performed: 1928 |
| Performer:
New Arkansas Travelers |
| Source:
Honkingduck |
|
| Hang Down Your Head & Cry |
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| Type:
Hillbilly |
| Year
Performed: 1933 |
| Performer:
Asa Martin & James Roberts |
| Source:
Honkingduck |
|
| Happiness is a Warm Gun |
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| Type:
1960s |
| Year
Performed: |
| Performer:
Beatles |
| Source:
Formation of Modern American Culture |
|
| Happy Days Are Here Again |
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| Type:
Depression |
| Year
Performed: 1929 |
| Performer:
Casa Loma Orchestra |
| Source:
Authentic History |
|
| Happy Days Are Here Again |
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| Type:
1930s |
| Year
Performed: |
| Performer:
Bennie Meroff |
| Source:
Manufacturing Memory, University of Virginia |
|
| Happy Days Are Here Again |
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| Type:
1920s |
| Year
Performed: 1929 |
| Performer:
Leo Reisman |
| Source:
Dismuke's Virtual Talking Machine |
|
| Happy Talk |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
South Pacific |
| Source:
Raven's Real Audio |
|
| Happy to Keep His Dinner Warm |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
How to Succeed |
| Source:
Raven's Real Audio |
|
| Harlem Stomp |
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| Type:
Jazz |
| Year
Performed: 1940 |
| Performer:
Louis Armstrong |
| Source:
Red Hot Jazz |
|
| Have You Met Miss Jones? (1937) |
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| Type:
Richard Rodgers |
| Year
Performed: |
| Performer:
Rodgers and Hart |
| Source:
NPR |
|
| He Wears a Pair of Silver Pins |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Dinah Shore |
| Source:
Marshall Stelzriede's Wartime Story |
|
| Headin' For Better Times |
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| Type:
Depression |
| Year
Performed: 1931 |
| Performer:
Ted Lewis and his Band |
| Source:
Authentic History |
|
| Heart Bow'd Down |
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| Type:
Antebellum |
| Year
Performed: 1974 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| Heaven |
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| Type:
Spirituals |
| Year
Performed: |
| Performer:
JoAnne Stpehenson |
| Source:
Negrospirituals.com |
|
| Heebie Jeebies |
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| Type:
Jazz |
| Year
Performed: 1926 |
| Performer:
Louis Armstrong |
| Source:
Red Hot Jazz |
|
| Hell Hound on My Trail |
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| Type:
Rural Blues |
| Year
Performed: 1936 |
| Performer:
Robert Johnson |
| Source:
Catherine Lavender |
|
| Hello Dolly |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Hello Dolly |
| Source:
Raven's Real Audio |
|
| Hello Mom |
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| Type:
World War II |
| Year
Performed: 1942 |
| Performer:
Bing Crosby |
| Source:
World War II Songs, Syracuse University |
|
| Hello Young Lovers |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
King and I |
| Source:
Raven's Real Audio |
|
| Help Me |
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| Type:
Spiritual |
| Year
Performed: |
| Performer:
Sam McClain |
| Source:
PBS |
|
| Helter Skelter |
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| Type:
1960s |
| Year
Performed: |
| Performer:
Beatles |
| Source:
Formation of Modern American Culture |
|
| Here's to You MacArthur |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Gene Krupa |
| Source:
Authentic History |
|
| He's 1-A In The Army And He's A-1 In My Heart |
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| Type:
World War II |
| Year
Performed: 1941 |
| Performer:
Les Brown and his Orchestra |
| Source:
Authentic History |
|
| He's In the Ring |
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| Type:
Depression |
| Year
Performed: 1935 |
| Performer:
Memphis Minnie |
| Source:
Authentic History |
|
| Hey, Big Spender |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Sweet Charity |
| Source:
Raven's Real Audio |
|
| Hirohito's Letter to Hitler |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Carson Robison |
| Source:
Authentic History |
|
| Hitler's Last Letter to Hirohito |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Carson Robison |
| Source:
Authentic History |
|
| Hitler's Reply to Mussolini |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Carson Robison |
| Source:
Authentic History |
|
| Home on the Range |
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| Type:
Hillbilly |
| Year
Performed: 1933 |
| Performer:
Jules Allen |
| Source:
Honkingduck |
|
| Honeysuckle Rose |
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| Type:
Jazz |
| Year
Performed: 1934 |
| Performer:
Fats Waller |
| Source:
Red Hot Jazz |
|
| Hopelessly Devoted to You |
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| Type:
Broadway |
| Year
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| Performer:
Grease |
| Source:
Raven's Real Audio |
|
| Horse Paul Revere |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Guys and Dolls |
| Source:
Raven's Real Audio |
|
| Hot Time in the Old Town Tonight |
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| Type:
Jazz |
| Year
Performed: 1927 |
| Performer:
Miff Mole |
| Source:
Red Hot Jazz |
|
| Hound Dog |
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| Type:
1950s |
| Year
Performed: |
| Performer:
Elvis Presley |
| Source:
Formation of Modern American Culture |
|
| How About a Cheer for the Navy |
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| Type:
World War II |
| Year
Performed: 1942 |
| Performer:
All Soldier Orchestra |
| Source:
World War II Songs, Syracuse University |
|
| How Are Things In Glocca Morra? |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Finian's Rainbow |
| Source:
Raven's Real Audio |
|
| How Dry I Am |
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| Type:
Hillbilly |
| Year
Performed: 1929 |
| Performer:
Wise String Band |
| Source:
Honkingduck |
|
| How to Handle a Woman |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Camelot |
| Source:
Raven's Real Audio |
|
| Hunters' Chorus, from The Rose of Erin |
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| Type:
Antebellum |
| Year
Performed: 1974 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| I Ain't Got Nobody |
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| Type:
Jazz |
| Year
Performed: 1927 |
| Performer:
Bessie Smith |
| Source:
Red Hot Jazz |
|
| I Ain't Got Nobody |
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| Type:
Jazz |
| Year
Performed: 1927 |
| Performer:
Sophie Tucker |
| Source:
Red Hot Jazz |
|
| I Am A Man Of Constant Sorrow |
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| Type:
Hillbilly |
| Year
Performed: 1928 |
| Performer:
Emry Arthur |
| Source:
Honkingduck |
|
| I Am the Edison Phonograph |
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| Type:
Early 1900s |
| Year
Performed: 1906 |
| Performer:
Len Spencer |
| Source:
Authentic History |
|
| I Believe in You |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
How to Succeed |
| Source:
Raven's Real Audio |
|
| I Can't Give You Anything But Love |
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| Type:
1920s |
| Year
Performed: |
| Performer:
Seeburg Coin Piano |
| Source:
Authentic History |
|
| I Can't Give You Anything But Love |
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| Type:
Jazz |
| Year
Performed: 1938 |
| Performer:
Fats Waller |
| Source:
Red Hot Jazz |
|
| I Can't Give You Anything But Love |
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| Type:
Jazz |
| Year
Performed: 1928 |
| Performer:
Duke Ellington |
| Source:
Red Hot Jazz |
|
| I Can't Say No |
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| Type:
Broadway |
| Year
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| Performer:
Oklahoma |
| Source:
Raven's Real Audio |
|
| I Could Have Danced All Night |
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| Type:
Broadway |
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| Performer:
My Fair Lady |
| Source:
Raven's Real Audio |
|
| I Don't Know How to Love Him |
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| Type:
Broadway |
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| Performer:
Jesus Christ, Superstar |
| Source:
Raven's Real Audio |
|
| I Feel Pretty |
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| Type:
Broadway |
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| Performer:
West Side Story |
| Source:
Raven's Real Audio |
|
| I Get a Kick Out of You |
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| Type:
Broadway |
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| Performer:
Anything Goes |
| Source:
Raven's Real Audio |
|
| I Got Rhythm |
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| Type:
1930s |
| Year
Performed: |
| Performer:
Bennie Goodman |
| Source:
Manufacturing Memory, University of Virginia |
|
| I Got Rhythm |
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| Type:
Jazz |
| Year
Performed: 1938 |
| Performer:
Fats Waller |
| Source:
Red Hot Jazz |
|
| I Got Rhythm (Gershwin) |
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| Type:
Jazz |
| Year
Performed: 1931 |
| Performer:
Louis Armstrong |
| Source:
Red Hot Jazz |
|
| I Hate Men |
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| Type:
Broadway |
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| Performer:
Kiss Me Kate |
| Source:
Raven's Real Audio |
|
| I Have Confidence |
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| Type:
Broadway |
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| Performer:
Sound of Music |
| Source:
Raven's Real Audio |
|
| I Left My Heart at the Stage Door Canteen |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Kenny Baker |
| Source:
Authentic History |
|
| I Loved You Once in Silence |
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| Type:
Broadway |
| Year
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| Performer:
Camelot |
| Source:
Raven's Real Audio |
|
| I Met Him on a Sunday |
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| Type:
1950s |
| Year
Performed: |
| Performer:
Shirelles |
| Source:
Formation of Modern American Culture |
|
| I Never Will Marry |
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| Type:
Hillbilly |
| Year
Performed: 1938 |
| Performer:
Carter Family |
| Source:
Honkingduck |
|
| I Remember It Well |
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| Type:
Broadway |
| Year
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| Performer:
Gigi |
| Source:
Raven's Real Audio |
|
| I Want Jesus to Walk With Me |
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| Type:
Spirituals |
| Year
Performed: |
| Performer:
JoAnne Stephenson |
| Source:
Negrospirituals.com |
|
| I Want to be Bad |
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| Type:
Jazz |
| Year
Performed: 1929 |
| Performer:
California Ramblers |
| Source:
Red Hot Jazz |
|
| I Want to Be Loved by You |
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| Type:
1920s |
| Year
Performed: 1928 |
| Performer:
Broadway Nitelights |
| Source:
Big Band's Database Plus |
|
| I Want to Be Loved by You |
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| Type:
1920s |
| Year
Performed: 1928 |
| Performer:
Helen Kane |
| Source:
Big Band's Database Plus |
|
| I Want to Hear a Yankee Doodle Tune |
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| Type:
Early 1900s |
| Year
Performed: 1911 |
| Performer:
George M. Cohan |
| Source:
Authentic History |
|
| I Wish I Could Hide Inside this Letter |
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| Type:
World War II |
| Year
Performed: 1943 |
| Performer:
Lawrence Welk |
| Source:
World War II Songs, Syracuse University |
|
| I Wish I Were in Love Again (1937) |
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| Type:
Richard Rodgers |
| Year
Performed: |
| Performer:
Rodgers and Hart |
| Source:
NPR |
|
| I Wonder What the King is Doing Tonight |
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| Type:
Broadway |
| Year
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| Performer:
Camelot |
| Source:
Raven's Real Audio |
|
| I'd Do Anything |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Oliver |
| Source:
Raven's Real Audio |
|
| If Ever I Would Leave You |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Camelot |
| Source:
Raven's Real Audio |
|
| If I Have My Ticket, Can I Ride |
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| Type:
Spiritual |
| Year
Performed: |
| Performer:
Sam McClain |
| Source:
PBS |
|
| If I Loved You |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Carousel |
| Source:
Raven's Real Audio |
|
| If I Loved You (1945) |
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| Type:
Richard Rodgers |
| Year
Performed: |
| Performer:
Carousel |
| Source:
NPR |
|
| If I Were a Rich Man |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Fiddler on the Roof |
| Source:
Raven's Real Audio |
|
| If My Friends Could See Me Now |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
Sweet Charity |
| Source:
Raven's Real Audio |
|
| I'll Take You Home Again Kathleen |
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| Type:
Postbellum |
| Year
Performed: 1998 |
| Performer:
Library of Congress |
| Source:
Library of Congress |
|
| I'm Afraid to Come Home in the Dark |
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| Type:
Early 1900s |
| Year
Performed: 1907 |
| Performer:
Billy Murray |
| Source:
Authentic History |
|
| I'm an Ordinary Man |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
My Fair Lady |
| Source:
Raven's Real Audio |
|
| I'm Forever Blowing Bubbles |
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| Type:
1920s |
| Year
Performed: 1920 |
| Performer:
Original Dixieland Jazz Band |
| Source:
Big Band's Database Plus |
|
| I'm Free, Single, Disengaged |
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| Type:
Jazz |
| Year
Performed: 1921 |
| Performer:
Mamie Smith |
| Source:
Red Hot Jazz |
|
| I'm Getting Sentimental Over You |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Glenn Miller |
| Source:
Marshall Stelzriede's Wartime Story |
|
| I'm Getting Tired So I Can Sleep |
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| Type:
World War II |
| Year
Performed: 1942 |
| Performer:
Pvt. Stuart Churchill |
| Source:
World War II Songs, Syracuse University |
|
| I'm Gonna Wash that Man Out of My Hair |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
South Pacific |
| Source:
Raven's Real Audio |
|
| I'm Gonna Wash That Man Right Out of My Hair |
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| Type:
Richard Rodgers |
| Year
Performed: |
| Performer:
South Pacific |
| Source:
NPR |
|
| I'm in Love with a Wonderful Guy |
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| Type:
Broadway |
| Year
Performed: |
| Performer:
South Pacific |
| Source:
Raven's Real Audio |
|
| I'm In the Army Now |
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| Type:
World War II |
| Year
Performed: |
| Performer:
Frank Luther |
| Source:
Authentic History |
|
| I'm in the Mood for Love |
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| Type:
Jazz |
| Year
Performed: 1935 |
| Performer:
Louis Armstrong |
| Source:
Red Hot Jazz |
|
| I'm On My Journey Home |
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| Type:
Sacred Harp |
| Year
Performed: |
