In this painting by artist Henryk Fatazos entitled 'Summer Courtship', a farmer goes down on one knee to propose to a girl in a white dress

Personal Love Stories from the 1700s and 1800s
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Cross-stitch fabric showing a woman in a hoop skirt and a man in pantaloons holding hands

Late in the winter of 1708/9, Samuel Gerrish, a Boston bookseller, began to court Mary Sewall, the 18-year old daughter of Puritan magistrate Samuel Sewall. Judge Sewall was a conscientious father, and like many Puritan fathers believed that he had a right and duty to take an active role in his daughter's selection of a spouse. He had heard "various and uncertain reports" that young Gerrish had previously courted other women and immediately dashed off a letter to Gerrish's father demanding "the naked Truth." Only after receiving a satisfactory reply did Judge Sewall permit the courtship to continue. In August, after a whirlwind six month courtship, the couple married, but the marriage was cut tragically short 15 months later when young Mary died in childbirth.

A hundred twenty-nine years later, in 1838, another couple began their courtship. Theodore Dwight Weld, a 39-year old abolitionist, wrote a letter to Angelina Grimke, the daughter of a wealthy, slaveholding South Carolina family who had turned against slavery, in which he disclosed "that for a long time you have had my whole heart." He had "no expectation and almost no hope that [his] feelings are in any degree RECIPROCATED BY YOU." Nevertheless, he asked her to reveal her true feelings.

Angelina replied by acknowledging her own love for him: "I feel, my Theodore, that we are the two halves of one whole, a twain one, two bodies animated by one soul and that the Lord has given us to each other."

An 18th century painting showing a woman in a pink full dress sitting beside her suitor on a bench in the forest

Like many early nineteenth century couples, Theodore and Angelina devoted much of their courtship to disclosing their personal faults and dissecting their reasons for marriage. They considered romance and passion childish and unreliable motives for marriage and instead sought a love that was more tender and rational.

In his love letters, Theodore listed his flaws and worried that he was not deserving of Angelina's love. He was a "vile groveling selfish wretch"--reckless, impatient, careless in appearance, and poorly educated. Angelina responded by confessing her own faults--her temper, her pride, and the fact that she had once loved another man--and revealed her fear that the vast majority of men "believe most seriously that women were made to gratify their animal appetites, expressly to minister to their pleasure." Only after Theodore and Angelina were convinced that they were emotionally ready for "the most important step of Life," did they finally marry.

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Credits:
Untitled French courtship painting by kind permission of the University of Michigan
Needlecraft by Jenni Lindsey
All other images/ from the Library of Congress