A bundle of love letters tied with a yellow ribbon

Love Letters from the Past
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The heightened emphasis attached to romantic love can be seen in the proliferation of new kinds of love letters. Courtship letters changed by the nineteenth century from brief notes to longer, more effusive expositions of feelings and emotions. Seventeenth century Puritans tended to moderate expression of affection in love letters. A letter from a Westfield, Connecticut, minister to his sweetheart was not atypical. After describing his passion for her as "a golden ball of pure fire," he added that his affection "must be kept within bounds too. For it must be subordinate to God's Glory."

The painting 'The Love Letter' by Jean Fragonard shows a young woman of the 1700s looking over her shoulder as she holds love letters and flowers in her hands

By the late eighteenth century, love letters, particularly those written by men, had grown more expansive and less formal. Instead of addressing their beloved in highly formalized terms, lovers began to use such terms of endearment as "dearest" or "my beloved." In their love letters, couples described feelings of affection that were deeply romantic. In 1844, Alexander Rice, a study at Union College in Schnechtady, New York, described the feeling that overcame him when he first met his fiance, Augusta McKim. "I felt...as I had never felt in the presence of a lady before and there seemed to be a kind of [direction] saying to me that I was now meeting her whom it was appointed should be my special object of affection and love."

Yet even in deeply impassioned love letters such as this one, writers stressed that their love was not motivated solely by transient emotions, but by mutuality of tastes, companionship, trust, and shared interests. Alexander Rice made this point in typical terms: emotion alone would not have led him "blindly forward had not I discovered in you those elements of character and those qualities of mind which my judgment approved." The kind of love that early nineteenth century Americans sought was not transient passion, declared Henry Poor, a young Bangor, Maine, attorney, in a letter to his fiance, but a higher kind of love, "the kind that seeks its gratification in mutual sympathy."

The most surprising fact disclosed in early nineteenth century love letters is that courting couples were less sexually restrained than the myth of Victorian sexual values would suggest. Although the colonial custom of bundling--according to which a courting couple shared a common bed without undressing--had fallen into disuse by 1800, physical displays of affection remained an important part of courtship.


18th century woodcut of a bundling couple

Seventeen-year old Lester Frank Ward, who would later become one of the foremost late nineteenth century American sociologists, recorded in his diary a visit to his fiance's house: "my beloved and I went down, made a fire, and sat down to talk and kiss and embrace and bathe in love." Other surviving love letters also suggest that physical affection and sexual intimacy played an important role in many courtships. Mary Butterfield of Racine, Wisconsin, described her feelings after spending an evening with her fiance in the Racine Hotel: "I was so glad afterwards when you seemed so sincerely pleased & happy--so satisfied with me." Still, her feelings were confused. "...It was a pleasure and yet women so naturally guard such treasures with jealousy & care, that it seems very "strange" to yield them even to the 'best loved one' who has a claim to such kindnesses. So of course it seemed very 'strange' to me."

Click here to see a very clever love letter from the 1800s
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Credits:
'The Love Letter' painting courtesy of Metropolitan Museum of Art
Woodcut from Library of Congress - author unknown