Link to Online Textbook Link to the Boisterous Sea of Liberty Link to Historic Court Cases Link to Historic Newspapers Link to Landmark Documents Link to Classroom Handouts Link to Lesson Plans Link to Resource Guides ink to E-lectures Link to Film Trailers Link to Flash Movies Link to Multimedia Exhibits Link to Ethnic America Link to Materials for Teachers Link to eXplorations Link to Learning Modules Link to Interactive Timeline Link to Games Database Link to A House Divided Link to America's Reconstruction Link to Virtual Exhibitions Link to Current Controversies Link to Ethnic America Link to Film and History Link to Historiography Link to Private Life Link to Science and Technology Link to the Reference Room Link to Writing Guides Link to Biographies Link to Book Talks Link to Chronologies Link to the Encyclopedia Link to Glossaries Link to the History Profession Link to Historical Images Link to Historical Maps Link to eXplorations Link to Do History through... Link to Multimedia Link to Historical Music Link to Museums & Archives Link to Historic Music Link to Historic Speeches Link to Historical Websites Link to Social History section

 
Back to Do History
History Through Beauty and Style

Today’s supermodels wouldn’t always have been considered beautiful. Standards of beauty have shifted radically over time. During the 1830s, a popular ideal of feminine beauty was the demure woman, with wasp-waist, rosebud mouth, wispy fingers, and tiny feet.

After the Civil War, a popular ideal was of a woman who was curvaceous, big-hipped, and buxom.

In the 1890s and early twentieth century, the aristocratic and sporty Gibson Girl was a popular ideal. he Gibson Girl was known as the century's first pin up.

First sketched by Charles Dana Gibson in 1902, this imaginary woman was to represent the ideal woman. She became known as the liberated young woman with the characteristic upswept hairdo. Created using a combination of the Marcel wave and postiche, the Gibson Girl look was to last a quarter of a century. The hair style consisted of a soft pompadour, puffed for a cloud effect, rolled from temple to temple over a horsehair rat to give it the width that went well with a tiny waist.

In the 1920s, a new ideal was the boyish, buoyant Flapper.

Key Questions:

How would you explain changes in ideals of beauty changed over time?

At particular moments in American history, dress and appearance have become the subjects of contention. One might examine the debate that surrounded bloomers, beauty pageants, swimsuits and pants for women, and jeans and sandals.

How has social class and age been reflected in clothing?

How have the young used style as a form of protest?

Courtesy: Historic American Sheet Music, "The Bloomer's Complaint; A Very Pathetic Song,"
Music A-7230, Duke University Rare Book, Manuscript, and Special Collections Library


Online Resources:

Lesson Plan:

How Did Diverse Activists Shape the Nineteenth-Century Dress Reform Movement?

This project focuses on three different strands of dress reform activity: the water curists, the Oneida community, and woman's rights reformers. Each of these groups attempted to reform women's dress for a variety of reasons. An examination of the three currents in the dress reform movement allows for a complex picture of the varied reasons why women attempted to break free of the restraints of nineteenth-century women's fashionable clothing.

http://womhist.binghamton.edu./dress/intro.htm

Fashion:

Hairstyles:

Footware:

 

This site was updated on 16-May-12.

Link to Ask the Hyperhistorian Link to Send Us Comments Link to Search & Site Map